I’m not blind to its shortcomings, but The Impostors is one of my most favorite movie comfort foods. That I find it so funny and purely enjoyable is really saying something, considering its milieu is the joblessness, desperation, and looming international conflict of The Great Depression. The pitch: a loving homage to old-school Hollywood screwball […]
Woody Allen’s Match Point is fantastic. Brilliant. Morally complex. Almost unbearably intense. It plays with your sympathies in way I haven’t seen since Hitchcock’s Frenzy (which I personally found cruel and sadistic, unlike Match Point).
Amazingly, upon a second viewing I didn’t care for Woody Allen’s Manhattan nearly as much as I remembered. Perhaps its status in the canon has retroactively enhanced my opinion. But it still inspires as a big, fat, sloppy kiss to my city, and a poster of Woody & Diane beneath the Brooklyn Bridge hangs on […]