Nobody films beautiful women, or should I say, nobody films women beautifully, like Wong Kar-wai. In Blueberry Nights, he has no less than four famous female faces to worship with his camera:
- Norah Jones – Perhaps not the most natural of actors, but her speaking voice is as emotionally expressive as it is in her famously languid, evocative music.
- Chan Marshall (aka Cat Power) – Like Jones, Marshall is a musician and not an experienced actor, but her cameo is bittersweet and effective.
- Rachel Weisz – The New York Times one described Weisz as “the thinking man’s sex symbol,” but here she portrays a seemingly thick character with a cruel streak.
- Natalie Portman – Like Weisz, Portman plays against type as a troubled young gambling addict with an Electra complex.
Wong Kar-wai’s first English-language film My Blueberry Nights is mostly set in bars and diners across America. His characters all indulge in the four great American pastimes: eating, drinking, gambling, and driving. It’s impossible to miss the central metaphor: every morning, diner proprietor Jeremy (Jude Law) ritually bakes a blueberry pie. Never eaten, it is thrown out whole every night. It may be undesired for the time being, but every day there is a fresh chance for it to find someone who hungers for it.