Ocean’s Eight is a pleasantly diverting trifle

Gary Ross’ Ocean’s Eight is, like all Ocean’s films before it, a pleasantly diverting trifle. But its relative deficiency of zip and pizzazz makes me wonder if co-producer Steven Soderbergh positioned his own Logan Lucky as an act of sabotage. I found myself mentally compiling a wishlist while watching: I believe it was intended as […]

The Therapist Experience: The Girlfriend Experience

Steven Soderbergh’s The Girlfriend Experience is a low-fi, partially improvised production loosely associated with his periodic palate-cleansing experiments including Schizopolis, Full Frontal, K Street, and Bubble. Working with real locations and relatively cheap cameras, this class of thrifty productions allows Soderbergh a rapid turnaround from conception to finished product. In the case of Schizopolis, the […]

Death Has No Dominion in Steven Soderbergh’s Solaris (2002)

As a huge title card reads immediately at the end of the film, Solaris was “written for the screen and directed by Steven Soderbergh.” This Dork Reporter is a huge admirer, but that seemed a bit egotistical even to me. Perhaps an overenthusiastic end-credits designer is to blame? Or maybe the studio wanted to capture […]

Steven Soderbergh’s Bubble

As a look into the lives of factory workers in an economically depressed town turns into a noir (as Steven Soderbergh himself notes on the commentary track), I caught a whiff of class anthropology. That said, I understand Soderbergh’s point that critics’ charges of exploitation are condescending; the non-actors are intelligent human beings who wholly […]

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