A Clash of Faiths: Ridley Scott’s Body of Lies

Ridley Scott’s follow up to the gentle comedy of A Good Year and the crime drama American Gangster (partly modeled, I think, on Michael Mann’s epic Heat), returns to the politically-themed yet still action-oriented territory he first visited in Black Hawk Down. The key difference here is that, like Peter Weir’s The Kingdom and Pete […]

Russell Crowe and Marion Cotillard bake a soufflé in Ridley Scott’s A Good Year

Scott returns to France for the first time since his 1977 feature film debut The Duellists for the fluffy soufflé A Good Year. Maximillian Skinner (Russell Crowe) – hardly the most subtle of names – is a self-proclaimed asshole that inherits his uncle’s winemaking estate in Provence. His Uncle Henry (Albert Finney, who also appeared […]

Repent Later: Ridley Scott’s Kingdom of Heaven

Ridley Scott’s video introduction to the Director’s Cut of Kingdom of Heaven claims it is more than a merely extended version of the film. The Director’s Cut represents his intentions, and is “the best version” of the film. The most significant restoration he singles out is a subplot involving Princess Sibylla’s son. This version is […]

Demi Moore goes chrome dome in Ridley Scott’s G.I. Jane

Ridley Scott has made his share of testosterone-laden Hollywood flicks, ranging from his very first feature The Duellists, through Black Rain, and finally blowing the top off the scale with Gladiator. But unlike many of his contemporaries (Michael Mann and Michael Bay come to mind), a surprising number of feminist-themed films with strong female characters […]

Jeff Bridges battles the elements in Ridley Scott’s White Squall

By 1996, Ridley Scott had worked in almost every typical feature film genre: most notably historical drama (The Duellists, 1492), science fiction (Alien, Blade Runner), and police thrillers (Someone to Watch Over Me, Black Rain). But White Squall straddles several genres, sometimes all at once: coming-of-age melodrama, adventure, courtroom drama, and disaster on the high […]

Michael Douglas vs. the yakuza in Ridley Scott’s Black Rain

Ridley Scott’s police thriller Black Rain (1989) opens in New York City at a time when The Meatpacking District actually was a meatpacking district. Tough cop Nick (Michael Douglas) is a ridiculously aggressive, foul-mouthed tough guy who tools around the city astride his crotch rocket. The despised Internal Affairs department suspects him of being a […]

Material Witness: Ridley Scott’s Someone to Watch Over Me

Ridley Scott’s Someone to Watch Over Me (1987) is more of a drama than a police thriller, refreshingly focused on its characters over suspense and action alone. Mike Keegan (Tom Berenger) is a salt-of-the-earth Queens detective assigned to protect material witness Claire (Mimi Rogers) from assassination. Keegan is a modest family man, recently promoted to […]

Girls and Their Unicorns: Ridley Scott’s Legend

Ridley Scott’s 1986 fantasy experiment Legend features a very young Tom Cruise (before he was “Tom Cruise”), costarring opposite vats upon vats of glitter. Cruise’s performance is bizarre and high-pitched, composed of crouched poses and unfocused stares. But to be fair, how else would any actor portray an uncivilized wild-child with a weirdly mundane name […]

Ridley Scott adapts Joseph Conrad’s The Duellists

Ridley Scott’s first feature film The Duellists (1977) is based on the Joseph Conrad short story “The Duel.” Feraud (Harvey Keitel) and D’Hubert (Keith Carradine), two French soldiers serving under Napoleon, become loyal enemies locked in a lifelong adversarial relationship. D’Hubert, eager to appease his superiors and advance his career, volunteers for a mission in […]

It’s the end of the world in Michael Crichton’s The Andromeda Strain

Michael Crichton’s original novel The Andromeda Strain was first adapted into a feature film in 1971, and now into a television miniseries from executive producers Ridley and Tony Scott. This 2008 incarnation is part feel-bad thriller, part wish fulfillment. As we thrill to the speculative illustration of how civilization might suddenly come to an end, […]

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