The Rashomon effect in Pete Travis’ Vantage Point

Vantage Point is an awesome technical achievement, and I don’t mean to damn it with faint praise. Director Pete Travis and writer Barry Levy demonstrate excellent plotting, spatial sense, editing, logistics, and continuity. As a thriller it moves forward relentlessly, and feels comprehensible, self-contained, and very satisfying. It is structured around a single gimmick, but […]

%d bloggers like this: