Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Which Way Is Up: Michael Mann’s Miami Vice

The simple truth is that I hated Michael Mann’s Miami Vice on first viewing. On a technical level, it was marred by hideously poor sound reproduction — for which I blamed the particular theater I happened to see it in, but a friend of mine had the same complaint about a totally different venue, suggesting […]

Daniel Day-Lewis is Natty Bumppo in Michael Mann’s The Last of the Mohicans

This blogger is a longtime fan of director Michael Mann, counting Heat, The Insider, and Collateral among my favorite films. But I still can’t find much love for what is probably his most popular movie, The Last of the Mohicans, which seems to lack his typically intense focus and clarity. Based on the James Fenimore […]

Michael Mann’s stylish but slight Miami Vice (2006)

Miami Vice is decidedly slight on character and depth, which is not surprising considering the source material. It is quite so, however, considering writer/director Michael Mann‘s track record once leaving the iconic 80s tv show behind. The deep characterization in all his crime dramas ranging from Thief through Collateral elevate them above the ultrastylized and […]

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