Hey Man, It’s Your Trip: Woodstock

The classic feature documentary Woodstock captures the full experience of the near-mythical 1969 festival of the same name, from septic tanks to traffic jams to brown acid. It remains an important record of one of the most peaceful spontaneous gatherings in human history, not to mention the brief-lived spirit of the hippie movement as a […]

I Call First: Who’s That Knocking at My Door?

Martin Scorsese’s first feature film Who’s That Knocking at My Door? was shot over the course of several years, and was originally released in 1967 as I Call First. Its piecemeal origins are betrayed by two discrete sequences: one recounting the misadventures of a group of slacker friends in downtown New York, and a very […]

Champagne & Reefer: Rolling Stones Shine a Light

Martin Scorsese’s long history with musical documentaries and concert films includes working as assistant director and editor on Woodstock (1970), directing an account of The Band’s final concert as The Last Waltz (1978), executive producing and designing the shots for Peter Gabriel’s concert film PoV (AKA Point of View, 1987), directing part of the massive […]

On the Run from Johnny Law in Wes Anderson’s Bottle Rocket

Wes Anderson and co-writer Owen Wilson’s feature debut is based on their 1992 short film of the same name. Like Kevin Smith’s Clerks and Quentin Tarantino’s Reservoir Dogs, Bottle Rocket is Anderson’s ur text. His signature style is already fully present: meticulously constructed of primary colors, written in torrents of words, and shot perpendicularly against […]

Martin Scorsese remakes Internal Affairs as The Departed

Martin Scorsese works almost constantly, directing documentaries between each higher-profile feature film. But the frequency of his fiction films is far enough apart for them to remain much more hotly anticipated, and every year that went by with him being passed over by the Academy Awards only more firmly established his status as a Great […]

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