Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Christopher Nolan’s Fugue State: Inception

In his 1999 essay Celluloid Vs. Digital, Roger Ebert cites studies equating the experience of watching a movie to entering a fugue state: “film creates reverie, video creates hypnosis.” In other words, experiencing a film in the traditional manner, projected at 24 frames per second in a darkened theater, affects the brain in a way […]

Russell Crowe and Marion Cotillard bake a soufflé in Ridley Scott’s A Good Year

Scott returns to France for the first time since his 1977 feature film debut The Duellists for the fluffy soufflé A Good Year. Maximillian Skinner (Russell Crowe) – hardly the most subtle of names – is a self-proclaimed asshole that inherits his uncle’s winemaking estate in Provence. His Uncle Henry (Albert Finney, who also appeared […]

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