Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Terry Gilliam’s The Imaginarium of Doctor Parnassus

Terry Gilliam is burdened with a number of unfair reputations. First, as a visual stylist more than a storyteller or director of actors — the latter, at least, obviously refuted by the fact that many high-profile stars will repeatedly work with him for pennies. He’s also known as an unpredictable hellion and spendthrift, which are, […]

Oi t’ink Tim Burton’s up to summat in Sweeney Todd: The Demon Barber of Fleet Street

Anyone who’s ever had the misfortune of a conversation about movies with this blogger is no doubt aware that I like musicals about as much as I like biopics. That is to say, not very much. I do, however, love Tim Burton, and count Ed Wood among my personal favorite films. So if he could […]

Johnny Depp delivers a truly strange performance in Pirates of the Caribbean: Dead Man’s Chest

Pirates of the Caribbean: Dead Man’s Chest is a healthy dose of frivolous fun; I don’t care what the critics are saying. I could do without Orlando Bloom’s cardboard performance and Keira Knightly’s CGI bosoms, but that’s not what the movie is about. As with the first installment, watch it for Johnny Depp’s fresh one-of-a-kind […]

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