Snausage Fest: Wes Anderson’s Isle of Dogs

Rather astonished to find Isle of Dogs defeat my expectations and become one of my least favorite Wes Andersons, if not the least. Anderson is one of my absolute favorite filmmakers (I know, I know, join the club), but like a lot of my faves, I have significant reservations. It’s no great insight to point […]

There’s a Corruption in the Force in Gavin O’Connor’s Pride and Glory

Pride and Glory was one of the last New Line Cinema productions made while still a semi-autonomous company, before being eviscerated by parent company Warner Bros. in 2008. For the morbidly curious, Vanity Fair recently related the sad tale in its latest Hollywood issue. Disclaimer: I worked for New Line Cinema through its end times, […]

Repent Later: Ridley Scott’s Kingdom of Heaven

Ridley Scott’s video introduction to the Director’s Cut of Kingdom of Heaven claims it is more than a merely extended version of the film. The Director’s Cut represents his intentions, and is “the best version” of the film. The most significant restoration he singles out is a subplot involving Princess Sibylla’s son. This version is […]

You won’t like Edward Norton when he’s angry in The Incredible Hulk

The Incredible Hulk is Hollywood’s latest incidence of what has become known as a “reboot.” The term, I believe was originally coined in the comic book world, with further derivations in computer terminology. When a franchise begins to show its age with stalled creative energy and declining sales, its owners may opt to check it […]

The Illusionist

The Illusionist perhaps suffers from being released in proximity to The Prestige, a far superior period piece sharing the use of magic as a storytelling conceit. However, The Illusionist has two strong assets to point out: The cinematography is truly beautiful, comprised of sepia images (seemlingly projected by oil lamp) and old-school iris out transitions. […]

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