Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Action Figures: G.I. Joe: The Rise of Cobra

It’s tempting to throw up one’s hands in despair that the brow level of source material for movies has dropped this precipitously low. To be fair, trash (escapist or just plain trashy trash) has existed since the very first days of the medium. But cinema’s early conception as a theatrical presentation made before a paid […]

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