Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Visualizing the Invisible: Bright Star

As an English Major in another life, I’m not uninterested in poetry, or Keats in particular. Movies about poetry are another matter. It’s difficult to imagine a less natural source material for the eminently visual medium of cinema than poetry. You can mute the sound, drain the color, or take off the 3D spectacles, but […]

Oliver Stone skips the defining moments of George W. Bush’s life in W.

I had the same issues with Oliver Stone’s W. that I do with every biopic. As virtually every feature film biography attempts to do the job of a book, they inevitably fall into the same trap: they become highlights reels that merely illustrate key moments in a real-life figure’s life, spanning decades. With a few […]

Jake Kasdan spoofs the musical biopic in Walk Hard: The Dewey Cox Story

This blogger finds most so-called biopics wanting. The two to three hour feature film format is more akin to an essay or short story than a book, and as such is ill-equipped to sum up the entire life of a human being in more than just a string of highlights. Yet studios and filmmakers keep […]

Todd Haynes deconstructs Bob Dylan in I’m Not There

I always find it interesting to ponder my preconceived notions of a movie after I’ve actually seen it. The marketing and buzz on I’m Not There mostly centered on two talking points: the quirky device of multiple actors all playing incarnations of Bob Dylan, and Cate Blanchett being just plain amazing as usual (what else […]

Julian Schnabel’s Le Scaphandre et le papillon (The Diving Bell and the Butterfly)

Julian Schnabel is an artist-turned-filmmaker, evidently preoccupied with the lives of other artists and writers: Jean-Michel Basquiat in Basquiat, Reinaldo Arenas in Before Night Falls, and now Jean-Dominique Bauby in The Diving Bell and the Butterfly. Several years ago, this blogger designed Fine Line Features’ official website for Before Night Falls. But frankly, I had […]

Cate is great in Elizabeth: The Golden Age

I’ll have to gang up with the general critical consensus around Elizabeth: The Golden Age, best summed up as: Cate Blanchett is astounding, as usual (yawn – the Academy Award nomination was virtually assured before the cameras rolled), but the movie is a disappointing sequel to a powerful original. Oh, and did I mention that […]

%d bloggers like this: