Netflix’s Triple Frontier is aggro, macho horseshit

J.C. Chandor’s Triple Frontier, Netflix’s latest high-profile exclusive, aspires to be a serious Expendables. It draws surface-level inspiration from the likes of Heat and The Treasure of the Sierra Madre, but forgets that you need more than square jaws and gun porn. There’s some dramatic potential in the premise of a heist orchestrated by veterans […]

Exhaustively exhausted: Ben Affleck’s Live by Night

Has any topic been more exhaustively dramatized than Prohibition-era gangsters? Live by Night seems especially redundant so soon after HBO’s Boardwalk Empire, which covers a lot of the same ground: the Florida/Cuba liquor pipeline, the Irish/Italian mob conflict, the pivot to legal gambling, etc. The explanation being pretty simple: original novelist Denis Lehane also contributed […]

Kevin Smith’s Chasing Amy is his best film

Chasing Amy is far and away Kevin Smith’s best film, and not coincidentally his most heartfelt. I think Smith’s achievement is to tell a universal guy’s story while still featuring significant and sympathetic female characters. Yes, Chasing Amy is spectacularly profane and the characters are prone to giving extended on-the-nose speeches perfectly explicating their inner […]

Ben Affleck’s pervasively grim Gone Baby Gone

Good ol’ Bahstuhn Cahtholick Ben Affleck is an all grown-up, big-boy director now, and lookit, he made himself a pretty decent movie. That said, Gone Baby Gone is a big plate of grim, with side order of depressing. Affleck makes excellent use of location footage and local color. And not surprising for a movie directed […]

%d bloggers like this: