Before the Devil Knows You’re Dead is a powerful, electric return to form for the 83 year-old Sidney Lumet, director of such canonical classics as 12 Angry Men, Serpico, Network, and, uh, The Wiz?
Kelly Masterson’s screenplay tells the high-tension tale of a pair of wholly doomed brothers as a non-linear narrative from multiple points of view. Each jump in time and POV is accompanied by a thrilling editing technique I haven’t seen anywhere else but Dennis Hopper’s Easy Rider: the current and subsequent scene ricochet back and forth in increasing speed until we’re hurtled through time into another fragment of the narrative.
The movie is full of examples of a fine director knowing how to use the form to the story’s advantage. For one example of how the composition of a shot reflects the subtext of the scene, note how that whenever Andy (Philip Seymour Hoffman) and Hank (Ethan Hawk) plot their scheme in the bar, Andy physically looms over Hank and dominates the frame with his bulk.
The acting is great all around, including a devastating turn from Albert Finney as a bitterly disappointed father, and Marisa Tomei as a woman who cast her lot with two of the worst prospects on the planet. And in case you think Hawke and Hoffman are miscast as siblings, well… just watch.