Untangling The Terminator Timeline

The Terminator franchise is cooked from a core recipe of cyborgs, time travel, bullets, and explosions, seasoned with themes of destiny, paranoia, and technophobia. Subtract or substitute too many of these ingredients and you wind up with something not-Terminator. Terminator Salvation is the first episode to dare to omit the foundational time travel element. Its […]

Apocalypse Porn: Terminator Salvation

Terminator Salvation was released in a year curiously rife with apocalypse porn. The visions of world’s end in theaters that year varied wildly in tone: everything from illuminating art to alarmism to escapism. The competition to bum you out included Roland Emmerich’s 2012, which utilized the best special effects technology money could buy to depict […]

Relentless Withholding: Michael Mann’s Public Enemies

Khoi Vinh rightly observes in Minimalism, Michael Mann and Miami Vice that “Mann has produced a taut, stylistic and often brutally impersonal filmography that seems most interested in the concept of work” (via Daring Fireball). I wholly understand and laud the aim of a minimalist, “relentlessly withholding” narrative, but I don’t believe it’s ignorant or […]

Action Figures: G.I. Joe: The Rise of Cobra

It’s tempting to throw up one’s hands in despair that the brow level of source material for movies has dropped this precipitously low. To be fair, trash (escapist or just plain trashy trash) has existed since the very first days of the medium. But cinema’s early conception as a theatrical presentation made before a paid […]

Mummy’s Boy: The Mummy 3: Tomb of the Dragon Emperor

Perhaps it was the mood I happened to be in the day I saw it in 1999, but I will freely admit I loved The Mummy, the first film in the latter day incarnation of the 1930s MGM horror franchise. In concert with Simon West and Jan De Bont’s pair of Tomb Raider films, The […]

A Man Alone: Babylon A.D.

Vin Diesel has made something of a specialty in dystopian science fiction movies possessed of astonishing visuals but horrifically bad scripts (I’m looking at you, Pitch Black and The Chronicles of Riddick). Does he seek these kinds of projects out, or has he been typecast as a weary but action-ready man of the future? Mathieu […]

Apocalypse on Wheels: Death Race

Death Race evidences a cynical, shallow, indiscriminate outrage at… everything. In this future dystopia, the U.S. economy collapsed in 2012, followed by soaring unemployment, crime, and incarceration. Echoing Rollerball and Running Man, professional sport has merged with the penal system, providing both televised entertainment and a justice system in one neat, cost-saving package. In the […]

Christopher Nolan’s Fugue State: Inception

In his 1999 essay Celluloid Vs. Digital, Roger Ebert cites studies equating the experience of watching a movie to entering a fugue state: “film creates reverie, video creates hypnosis.” In other words, experiencing a film in the traditional manner, projected at 24 frames per second in a darkened theater, affects the brain in a way […]

Life by Remote Control: Surrogates

Surrogates is an elegantly literal twist on the classic sci-fi theme of living through avatars. Cyberpunk writers William Gibson and Neal Stephenson pioneered virtual reality as a setting for the dramatic exaggeration of issues first sparked by the very beginnings of internet chat rooms. Their predictions have already come true, in part, in the form […]

Sass and Kick Ass: James Bond: Casino Royale (2006)

Paradoxically for one of the freshest James Bond films ever made, Martin Campbell’s Casino Royale (2006) is actually the third adaptation of the character’s debut in Ian Fleming’s 1953 novel. After a largely forgotten 1954 TV movie in which “Jimmy” Bond was awkwardly Americanized, the same premise was parodied in a 1967 farce bearing the […]

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