I vaguely recall seeing Mask when I was a kid, but only recently learned A) it was directed by Peter Bogdanovich and B) there’s a well-regarded director’s cut available on DVD. The film is very unconventional for the genre of disabled-person-beating-the-odds. Roy, doomed to die from Craniodiaphyseal dysplasia, loses his friend, his girl, and dies […]
The timeless love story between Miss Elizabeth Bewitching-yet-Blind Bennet and Mr. Darcy, Earl of Wetblanket-Upon-Broadchestshire. In the most romantic way possible, they truly deserve each other.
A wicked contemporary satire, distant cousin to Lord of War, if a little less urgent. The level of public anxiety over Big Tobacco isn’t terribly high at the moment, but the larger theme of corporate and governmental spin is a timely one. Also like Lord of War, it kicks off with insane energy: one of […]
Like Something About Mary and American Pie, sometimes the most well-observed character-based comedies come in disguise as crass gross-outs. They also have a tendency towards saccharine sweetness, but there are worse crimes.
I initially dismissed Lord of War when the trailers and posters first appeared. In other words, it got caught in the crude mental filters that routinely handle my first-pass “ignore” of all the crap that flows through my eyes and ears all day every day. But when my regular email newsletter from Amnesty International endorsed […]
Amazingly, upon a second viewing I didn’t care for Woody Allen’s Manhattan nearly as much as I remembered. Perhaps its status in the canon has retroactively enhanced my opinion. But it still inspires as a big, fat, sloppy kiss to my city, and a poster of Woody & Diane beneath the Brooklyn Bridge hangs on […]
Explicit in more ways than one: surprisingly, the theme is pretty much spelled out in voiceover in the first sequence. A man reflects on a past relationship in terms of concerts they went to together and the arc of their sexual life. I can only speak for myself, but those are exactly the kinds of […]
An utterly gorgeous collaboration between Dave McKean and Neil Gaiman, who are so good together that I admit to a little disappointment when they work apart. I especially recommend reading the screenplay; one of the few scripts I’ve ever read that stands on its own.