The Pod People Film Festival: Invasion of the Body Snatchers (1956)

Welcome to The Pod People Film Festival, The Dork Report’s third mini movie retrospective. After catching up with Ridley Scott and George A. Romero, we now take a look at four adaptations of Jack Finney’s novel The Body Snatchers, plus one unofficial homage / satire. Invasion of the Body Snatchers (1956) Invasion of the Body […]

George Lucas Cedes Control: Star Wars: The Clone Wars

After writing and directing three Star Wars prequels between 1999-2005, it’s easy to forget that back in the 1980s, series godfather George Lucas opted out of directing Episodes IV: The Empire Strikes Back and V: Return of the Jedi. Now Lucas appears once again to be ceding control over his most famous baby. He’s back […]

I Came to Save the World: The Day the Earth Stood Still (2008)

If the least one expects of the 2008 remake of The Day the Earth Stood Still is that it merely fulfill the promise of its title, then please move right along, for the earth stands still only a few moments. It is, however, a far bigger production than the 1951 original directed by Robert Wise […]

Circumnavigating The Guggenheim in Tom Twyker’s The International

The International is a disappointment coming from Tom Tykwer, director of the kinetic classic Run Lola Run, the mystical The Princess & The Warrior, and the lunatic, perverse Perfume. The International is by far his most conventional in subject matter, and lacking his energy and spirit. It especially suffers in comparison to its closest contemporary […]

John Erick Dowdle’s Zombie Fauxmentary Quarantine

Quarantine, remade by director John Erick Dowdle (co-written with brother Drew) from the Spanish movie REC (2007), follows in the now-firmly established horror fauxmentary tradition. Previous entries Blair Witch Project, Diary of the Dead, and Cloverfield are all ostensibly comprised of found footage recovered from cameras found at the scenes of horrific disasters. Quarantine’s only […]

Bill Maher Preaches to the Converted in Larry Charles’ Religulous

Standup comedian and occasional b-movie star Bill Maher remade himself into a satirical political pundit on the cable TV shows Politically Incorrect and Real Time. He most famously spoke truth to power when he defied the conventional wisdom after 9/11 and correctly stated that one thing the perpetrators were not were cowards. Not surprisingly, he […]

Orifices in Place of Faces: The Flaming Lips: Christmas on Mars

The Flaming Lips are an odd band to have achieved mainstream success. After years of noncommercial psychedelic art-rock experimentation like the four-disc Zaireeka (1997), they broke through to mass appeal with The Soft Bulletin (1999) and Yoshimi Battles the Pink Robots (2002). The latter features the finest existential love song to ever become the official […]

Australia is Baz Luhrmann’s Gone With the Wind

Strictly speaking, Baz Luhrmann has made only one musical, the guilty pleasure Moulin Rouge (2001). But, last seen directing Puccini’s opera La Bohème on Broadway, he can’t seem to resist the genre. Strictly Ballroom (1992), Romeo + Juliet (1996), and now Australia all incorporate key elements of the musical: exaggerated emoting, spectacle, and especially, songs. […]

Desperate to Be Liked: Julian Jarrold’s Brideshead Revisited

Director Julian Jarrold’s lavish period piece Brideshead Revisited trots the globe like a genteel James Bond adventure, visiting London, Venice, and Morocco, but especially the opulent Castle Howard. From the perspective of an ignoramus that hasn’t read Evelyn Waugh’s 1945 novel, this compressed version of what I imagine to be a grander prose narrative doesn’t […]

A Disease Immune to Bureaucracy: Fernando Meirelles’ Blindness

Director Fernando Meirelles has examined desperate pressure cookers (City of God) and institutional corruption (The Constant Gardener) before. Blindness proves perfect to meld both themes, with a science fiction twist imagining the downfall of civilization itself. Blindness is part of a special subset of the horror/sci-fi/disaster genre: the dystopian end-of-civilization nightmare. Whereas the typical entry […]

%d bloggers like this: