The Future is a Tasteful Monochrome: Anon

Andrea Niccol’s Netflix exclusive Anon is a rather quaint throwback to the techno-paranoia cyberpunk genre, once common in the late nineties — remember Virtuosity, Johnny Mnemonic, and Paycheck? The ultimate modern incarnation of is of course the BBC series Black Mirror, which out-Philip-K.-Dicked Philip K. Dick., and set a newly high bar for cynical, pessimistic […]

Exhaustively exhausted: Ben Affleck’s Live by Night

Has any topic been more exhaustively dramatized than Prohibition-era gangsters? Live by Night seems especially redundant so soon after HBO’s Boardwalk Empire, which covers a lot of the same ground: the Florida/Cuba liquor pipeline, the Irish/Italian mob conflict, the pivot to legal gambling, etc. The explanation being pretty simple: original novelist Denis Lehane also contributed […]

A Dangerous Delusion: The Life and Death of Colonel Blimp

The Life and Death of Colonel Blimp is of course a remarkable achievement, a massive production with epic scope, a clever structure, and one of the best possible showcases for Technicolor. But I’m evidently so far out of step with the consensus on this one that I’m doubting my film snob bona fides. I simply […]

Sad Dinosaurs: Calling Bullshit on Terrence Malick’s The Tree of Life

As a public service, The Dork Report will now summarize all 2 hours and 19 minutes of Terrence Malick’s The Tree of Life for you: My mommy was pretty, my daddy was mean, sometimes kids die, I inhaled too much DDT, and it makes me so sad. Sad like the lonely birth of the lifeless […]

Apocalypse Porn: Terminator Salvation

Terminator Salvation was released in a year curiously rife with apocalypse porn. The visions of world’s end in theaters that year varied wildly in tone: everything from illuminating art to alarmism to escapism. The competition to bum you out included Roland Emmerich’s 2012, which utilized the best special effects technology money could buy to depict […]

Action Figures: G.I. Joe: The Rise of Cobra

It’s tempting to throw up one’s hands in despair that the brow level of source material for movies has dropped this precipitously low. To be fair, trash (escapist or just plain trashy trash) has existed since the very first days of the medium. But cinema’s early conception as a theatrical presentation made before a paid […]

Mummy’s Boy: The Mummy 3: Tomb of the Dragon Emperor

Perhaps it was the mood I happened to be in the day I saw it in 1999, but I will freely admit I loved The Mummy, the first film in the latter day incarnation of the 1930s MGM horror franchise. In concert with Simon West and Jan De Bont’s pair of Tomb Raider films, The […]

A Man Alone: Babylon A.D.

Vin Diesel has made something of a specialty in dystopian science fiction movies possessed of astonishing visuals but horrifically bad scripts (I’m looking at you, Pitch Black and The Chronicles of Riddick). Does he seek these kinds of projects out, or has he been typecast as a weary but action-ready man of the future? Mathieu […]

Life by Remote Control: Surrogates

Surrogates is an elegantly literal twist on the classic sci-fi theme of living through avatars. Cyberpunk writers William Gibson and Neal Stephenson pioneered virtual reality as a setting for the dramatic exaggeration of issues first sparked by the very beginnings of internet chat rooms. Their predictions have already come true, in part, in the form […]

The Vacation of the Future, Today: Westworld

The late Michael Crichton is primarily known as a bestselling novelist, but somewhat less so as a screenwriter, feature film director, and television producer (he was one of the co-creators of the blockbuster series E.R.). Characteristic novels Jurassic Park and The Andromeda Strain are built upon fascinating speculative science with thrilling story potential, spoiled by […]

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