Luca Guadagnino’s Suspiria (2018) has less color than the original, but more of everything else

I appreciate that Luca Guadagnino’s Suspiria is not attempting to copy Dario Argento’s horror classic, per se, but the association immediately pitches a number of disappointments to get over. First, its avoidance of the original’s vivid, lurid color is so aggressive as to be a punk rock statement. The creative choice sets up a dramatic […]

Toys buy happiness in the cloying The Lego Movie 2: The Second Part

Cloying, saccharine, and worst of all, painfully obvious. Mike Mitchell’s The Lego Movie 2: The Second Part emblematizes my biggest gripe with most contemporary animated features: that perhaps the purest form of cinema is so often overwritten to the point of death. With animation, everything must be literally created from nothing, and anything is possible. […]

Modern America is born out of lawlessness and chaos in David Milch’s Deadwood: The Movie

What an improbable treat, in an age of unasked-for sequels, that one of pop culture’s most notorious cliffhangers would receive resolution. The HBO series Deadwood is not only one of their most acclaimed productions, but also the most lamentably unfinished. Its abrupt cancellation in 2006 was followed by persistent but vague promises of one or […]

France burns with religious mania in Ken Russell’s The Devils

Ken Russell’s The Devils (1971) is a fictionalized account of the 17th-century Roman Catholic priest Urbain Grandier, tried and executed in Loudon, France. Questioning the authority of the Catholic Church is a controversial provocation at any time, but consider: if today, a sober movie like Spotlight (2015) is viewed as brave, then the The Devils’ […]

No escape from the tyranny of continuity, in Avengers: Endgame

There is no escape from the tyranny of continuity. Like daytime soaps, superhero comics exist in a quantum state of constant churn and perpetual stasis. Characters are introduced and die and un-die, relationships form and split and reform, villains are defeated and rally and are defeated again. Excelsior, and collect your pocket change to spend […]

It’s a hard world for little things, in Charles Laughton’s “The Night of the Hunter” (1955)

The Night of the Hunter is a perennial source of fascination for cinéastes, both as a singular oddity in Hollywood history but also as a masterpiece in the truest sense: not only is it the best of what it is, it’s the only. “Beware of false prophets, which come to you in sheep’s clothing but […]

Netflix’s Triple Frontier is aggro, macho horseshit

J.C. Chandor’s Triple Frontier, Netflix’s latest high-profile exclusive, aspires to be a serious Expendables. It draws surface-level inspiration from the likes of Heat and The Treasure of the Sierra Madre, but forgets that you need more than square jaws and gun porn. There’s some dramatic potential in the premise of a heist orchestrated by veterans […]

Brad Bird’s The Incredibles 2 traps superheroes in motels and courtrooms

The Incredibles 2 sure went down easy when I saw it in a theater a few months ago, but it suffers on rewatch on the small screen. And needless to say, it was shortly rendered wholly obsolete by the best animated superhero movie of all time, Spider-Man: Into the Spider-Verse. While the real (and best) […]

Geneviève Bujold fights the medical patriarchy in Michael Crichton’s Coma

A thriller set among medical professionals, with just enough scientific accuracy to temper its science fiction, and a craven corporation perverting science for profit? If only Michael Crichton’s Coma had been set in an amusement park, it would have been the most Michael Crichton movie ever. More than just a dry run for his hit […]

Noomi Rapace shoots ’em up in the Netflix exclusive Close

Noomi Rapace was seemingly set for big things after The Girl With the Dragon Tattoo films, but was shortly thereafter cruelly written out of her starring role in Ridley Scott’s Alien prequels. I can only imagine how it must hurt for an actor to “appear” in a sequel only as a corpse, as she did […]

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