Luca Guadagnino’s Suspiria (2018) has less color than the original, but more of everything else

I appreciate that Luca Guadagnino’s Suspiria is not attempting to copy Dario Argento’s horror classic, per se, but the association immediately pitches a number of disappointments to get over. First, its avoidance of the original’s vivid, lurid color is so aggressive as to be a punk rock statement. The creative choice sets up a dramatic […]

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