King Kong (1976)

King Kong 1976 movie poster

 

About the only sav­ing graces of this piece of gorilla dung are: A) Jes­sica Lange actu­ally does a pretty good Mar­i­lyn Mon­roe, and B) See­ing the movie now pro­vides some unin­ten­tional emo­tional oomph: Kong is actu­ally drawn into Man­hat­tan by the pri­mal lure of the World Trade Center.

Whose idea was it for Kong to walk upright? Would it have been too much work for the guy in the suit to hunch over and drag his knuck­les a lit­tle? And he throws like a girl.

Stayin’ Alive

Not as in get­ting funky, but as in not get­ting blown up on the sub­way. You know how every time there’s a ter­ror­ist attack, the media tricks some res­cue worker or unfor­tu­nate bystander into using the phrase “body parts every­where”, which they can then mor­bidly quote with rel­ish? The next batch of human soup you can hear about just may well be New York chunky style.

So no movie review this time. A lit­tle like HtMT, I usu­ally don’t use this blog to talk about me me me, but some shit is goin’ down in New York City right now that I feel like writ­ing about.

Before after­noon rush hour yes­ter­day, Mayor Bloomberg and the Chief of Police held a press con­fer­ence to report the feds had uncov­ered cred­i­ble evi­dence (the feds claim oth­er­wise) of a coör­di­nated attack of between 12–20 bombers on the sub­way sys­tem, per­haps as soon as that day (yes­ter­day). Even bet­ter, the plot is tied to mal­con­tents in Iraq (duh), and while mil­i­tary forces are car­ry­ing out top secret mis­sions in Bagh­dad to foil the plot, we’re sup­posed to go on our jolly way rid­ing the sub­way as normal.

Just like Bloomberg him­self pledges to do. Whereas just min­utes before, he said “It was more spe­cific as to tar­get, it was more spe­cific as to tim­ing.” Do the math! So nat­u­rally he’ll be rid­ing the sub­way. It’s when he checks his watch and gets off that I’d be worried.

I walk home through Cen­tral Park when­ever pos­si­ble dur­ing the sum­mer. It’s rea­son #384 why I heart NY. By early Octo­ber it’s dark and chilly before I leave work. So before the news broke, I was already debat­ing whether or not I would take the sub­way home. And then upon walk­ing out the door of my office build­ing, I saw a car­a­van of black SUV’s rolling through mid­town. Not an unusual sight in a city hous­ing the United Nations, but what was strange this time was their haste, the sirens, and the tinted win­dows actu­ally open. For once I finally got to see who’s inside those things: impos­ing mus­cle men in suits scowl­ing out at pedes­tri­ans. I decided right then and there that I would def­i­nitely walk home. I had a lovely scenic walk through the park at dusk, but this morn­ing opted to ride the train back to work.

As puz­zled media out­lets have been report­ing, New York­ers have not been stay­ing away in droves. Peo­ple need the sub­way; the city doesn’t func­tion with­out it. Only rich peo­ple live in a strata where pub­lic trans­porta­tion is just some­thing that rum­bles beneath your feet occasionally.

But the sub­way is wide open to attack; I don’t care what city offi­cials claim. Frankly, I don’t under­stand why any­one hasn’t bombed it already. In a Lon­don shocked by the first seri­ous bomb­ing in years since the IRA cooled it, more per­pe­tra­tors pulled off another one just when you’d think the bob­bies would have been more alert than ever. Luck­ily the bombs lit­er­ally fizzled.

There are cam­eras all over the city (traf­fic cams, ATMs, build­ings’ secu­rity sys­tems… it’s said any New Yorker is pho­tographed at least once every cou­ple of min­utes). But unless there’s some more advanced big-brother sur­veil­lance sys­tem that I don’t know about, the sub­way is just sit­ting there, ask­ing for it. NYC has slowly but steadily been phas­ing out human-staffed entrances to the sub­way in favor of Metro­card (dis­pos­able smart­cards you buy from vend­ing machines) turn­styles. Today there’s a cop at every sub­way sta­tion, but there are usu­ally sev­eral entrances to each sta­tion, and they are typ­i­cally at least one block long. There are lit­er­ally dozens of unguarded entrances where you could enter car­ry­ing a giant pink polka-dotted nuclear war­head and a plac­ard read­ing “HEY LOOK AT ME I’M CARRYING A WARHEAD”.

Bloomberg also urges us to be on the look­out. What for? There’s at least one of every­thing on the sub­way. I say that with affec­tion, not out of racism, sex­ism, sex­ual orientation-ism or any other –ism. This is New York #%$&in’ City, for #%$&‘s sake!

Last night I lived through an extended dream, many details of which fled upon wak­ing, but I do recall some large cat­a­clysmic attack. As on 9/11, I was safely dozens of blocks away, but unlike 9/11, peo­ple I actu­ally knew died and my guilt was so over­pow­er­ing I cried in my dream. It’s dis­turb­ing that my brain per­son­al­ized today’s events so much; I never thought my survivor’s guilt from 9/11 was any­where near in the leagues of peo­ple who were actu­ally there and made it out, or per­son­ally knew some­one who did. A few weeks ago, I watched a movie that included footage of the planes hit­ting and the tow­ers col­laps­ing. It had prob­a­bly been years since I had seen it, and even then I only saw it on TV like every­one else in the world (I was about 70 blocks away). I’m not really sure how to describe how it felt to see again, but it’s a lit­tle like I do right now.

11’09“01 — September 11

11'09

 

A series of short films inspired by or in reac­tion to 9/11 made by direc­tors from nearly every continent.

At first, I thought for sure I would be giv­ing this one more than three stars, but the qual­ity of the short films takes a steep dive after the first two. The first in par­tic­u­lar, by Iran­ian film­maker Samira Makhmal­baf, is excel­lent. It opens on an entire Afghanistan vil­lage emp­ty­ing their well in order to man­u­fac­ture bricks to build shel­ters for when the US will bomb them. A female school­teacher rounds up all the chil­dren and attempts to explain to them what hap­pened in New York, and why the Amer­i­cans are about to kill them. Step one: try to illus­trate the con­cept of a skyscraper.

The short from Egypt is quite bad, and almost laugh­able (dig the ghost of a buff Amer­i­can Marine killed in Beruit, walk­ing out of the ocean, soak­ing wet and top­less). And unfor­tu­nately, Sean Penn’s con­tri­bu­tion was over-edited into obliv­ion. But a late high point is Ken Loach’s doc­u­men­tary about the US-instigated over­throw of Chile’s democratically-elected gov­ern­ment on… wait for it… Sep­tem­ber 11, 1973!

And a bit of trivia: Mira Nair’s short was writ­ten by an old room­mate I had back in film school.