King Kong (1976)

King Kong 1976 movie poster

 

About the only saving graces of this piece of gorilla dung are: A) Jessica Lange actually does a pretty good Marilyn Monroe, and B) Seeing the movie now provides some unintentional emotional oomph: Kong is actually drawn into Manhattan by the primal lure of the World Trade Center.

Whose idea was it for Kong to walk upright? Would it have been too much work for the guy in the suit to hunch over and drag his knuckles a little? And he throws like a girl.

Stayin’ Alive

Not as in getting funky, but as in not getting blown up on the subway. You know how every time there’s a terrorist attack, the media tricks some rescue worker or unfortunate bystander into using the phrase “body parts everywhere”, which they can then morbidly quote with relish? The next batch of human soup you can hear about just may well be New York chunky style.

So no movie review this time. A little like HtMT, I usually don’t use this blog to talk about me me me, but some shit is goin’ down in New York City right now that I feel like writing about.

Before afternoon rush hour yesterday, Mayor Bloomberg and the Chief of Police held a press conference to report the feds had uncovered credible evidence (the feds claim otherwise) of a coordinated attack of between 12-20 bombers on the subway system, perhaps as soon as that day (yesterday). Even better, the plot is tied to malcontents in Iraq (duh), and while military forces are carrying out top secret missions in Baghdad to foil the plot, we’re supposed to go on our jolly way riding the subway as normal.

Just like Bloomberg himself pledges to do. Whereas just minutes before, he said “It was more specific as to target, it was more specific as to timing.” Do the math! So naturally he’ll be riding the subway. It’s when he checks his watch and gets off that I’d be worried.

I walk home through Central Park whenever possible during the summer. It’s reason #384 why I heart NY. By early October it’s dark and chilly before I leave work. So before the news broke, I was already debating whether or not I would take the subway home. And then upon walking out the door of my office building, I saw a caravan of black SUV’s rolling through midtown. Not an unusual sight in a city housing the United Nations, but what was strange this time was their haste, the sirens, and the tinted windows actually open. For once I finally got to see who’s inside those things: imposing muscle men in suits scowling out at pedestrians. I decided right then and there that I would definitely walk home. I had a lovely scenic walk through the park at dusk, but this morning opted to ride the train back to work.

As puzzled media outlets have been reporting, New Yorkers have not been staying away in droves. People need the subway; the city doesn’t function without it. Only rich people live in a strata where public transportation is just something that rumbles beneath your feet occasionally.

But the subway is wide open to attack; I don’t care what city officials claim. Frankly, I don’t understand why anyone hasn’t bombed it already. In a London shocked by the first serious bombing in years since the IRA cooled it, more perpetrators pulled off another one just when you’d think the bobbies would have been more alert than ever. Luckily the bombs literally fizzled.

There are cameras all over the city (traffic cams, ATMs, buildings’ security systems… it’s said any New Yorker is photographed at least once every couple of minutes). But unless there’s some more advanced big-brother surveillance system that I don’t know about, the subway is just sitting there, asking for it. NYC has slowly but steadily been phasing out human-staffed entrances to the subway in favor of Metrocard (disposable smartcards you buy from vending machines) turnstyles. Today there’s a cop at every subway station, but there are usually several entrances to each station, and they are typically at least one block long. There are literally dozens of unguarded entrances where you could enter carrying a giant pink polka-dotted nuclear warhead and a placard reading “HEY LOOK AT ME I’M CARRYING A WARHEAD”.

Bloomberg also urges us to be on the lookout. What for? There’s at least one of everything on the subway. I say that with affection, not out of racism, sexism, sexual orientation-ism or any other -ism. This is New York #%$&in’ City, for #%$&’s sake!

Last night I lived through an extended dream, many details of which fled upon waking, but I do recall some large cataclysmic attack. As on 9/11, I was safely dozens of blocks away, but unlike 9/11, people I actually knew died and my guilt was so overpowering I cried in my dream. It’s disturbing that my brain personalized today’s events so much; I never thought my survivor’s guilt from 9/11 was anywhere near in the leagues of people who were actually there and made it out, or personally knew someone who did. A few weeks ago, I watched a movie that included footage of the planes hitting and the towers collapsing. It had probably been years since I had seen it, and even then I only saw it on TV like everyone else in the world (I was about 70 blocks away). I’m not really sure how to describe how it felt to see again, but it’s a little like I do right now.

11’09″01 – September 11

11'09

 

A series of short films inspired by or in reaction to 9/11 made by directors from nearly every continent.

At first, I thought for sure I would be giving this one more than three stars, but the quality of the short films takes a steep dive after the first two. The first in particular, by Iranian filmmaker Samira Makhmalbaf, is excellent. It opens on an entire Afghanistan village emptying their well in order to manufacture bricks to build shelters for when the US will bomb them. A female schoolteacher rounds up all the children and attempts to explain to them what happened in New York, and why the Americans are about to kill them. Step one: try to illustrate the concept of a skyscraper.

The short from Egypt is quite bad, and almost laughable (dig the ghost of a buff American Marine killed in Beruit, walking out of the ocean, soaking wet and topless). And unfortunately, Sean Penn’s contribution was over-edited into oblivion. But a late high point is Ken Loach’s documentary about the US-instigated overthrow of Chile’s democratically-elected government on… wait for it… September 11, 1973!

And a bit of trivia: Mira Nair’s short was written by an old roommate I had back in film school.