Nobody films beautiful women, or should I say, nobody films women beautifully, like Wong Kar Wai. In Blueberry Nights, he has no less than four famous female faces to worship with his camera:
- Norah Jones — Perhaps not the most natural of actors, but her speaking voice is as emotionally expressive as it is in her famously languid, evocative music.
- Chan Marshall (aka Cat Power) — Like Jones, Marshall is a musician and not an experienced actor, but her cameo is bittersweet and effective.
- Rachel Weisz — The New York Times one described Weisz as “the thinking man’s sex symbol,” but here she portrays a seemingly thick character with a cruel streak.
- Natalie Portman — Like Weisz, Portman plays against type as a troubled young gambling addict with an Electra complex.
Didn’t Jude Law’s mother ever teach him it’s rude to reach across the table?
Wong Kar Wai’s first English-language film My Blueberry Nights is mostly set in bars and diners across America. His characters all indulge in the four great American pastimes: eating, drinking, gambling, and driving. It’s impossible to miss the central metaphor: every morning, diner proprietor Jeremy (Jude Law) ritually bakes a blueberry pie. Never eaten, it is thrown out whole every night. It may be undesired for the time being, but every day there is a fresh chance for it to find someone who hungers for it.
Natalie Portman offers Norah Jones an offer she can’t refuse
Official movie site: www.myblueberrynightsmovie.co.uk
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[UPDATED AUGUST 29, 2008 to correct typo in rating]