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	<title>The Dork Report &#187; Kate Winslet</title>
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		<title>Nothing to Say and No Way to Say It: Revolutionary Road</title>
		<link>http://www.thedorkreport.com/2009/07/19/revolutionary-road/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=revolutionary-road</link>
		<comments>http://www.thedorkreport.com/2009/07/19/revolutionary-road/#comments</comments>
		<pubDate>Mon, 20 Jul 2009 03:36:11 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[abortion]]></category>
		<category><![CDATA[Beatnik]]></category>
		<category><![CDATA[divorce]]></category>
		<category><![CDATA[Greatest Generation]]></category>
		<category><![CDATA[Justin Haythe]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Kathryn Hahn]]></category>
		<category><![CDATA[Kathy Bates]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[marriage]]></category>
		<category><![CDATA[Michael Shannon]]></category>
		<category><![CDATA[Richard Yates]]></category>
		<category><![CDATA[Sam Mendes]]></category>
		<category><![CDATA[suburbia]]></category>
		<category><![CDATA[World War II]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1860</guid>
		<description><![CDATA[  The first few minutes of Sam Mendes’ Revolutionary Road feature one of the boldest jump cuts this side of 2001: A Space Odyssey. Frank (Leonardo DiCaprio) and April (Kate Winslet) meet cute out of a crowd of Beatnik hipsters at a loft party. Like any flirting young couple, how each chooses to introduce themself [...]
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		</item>
		<item>
		<title>The Reader</title>
		<link>http://www.thedorkreport.com/2009/03/31/reader/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=reader</link>
		<comments>http://www.thedorkreport.com/2009/03/31/reader/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 02:57:28 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[3 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[Anthony Minghella]]></category>
		<category><![CDATA[Bernhard Schlink]]></category>
		<category><![CDATA[Bruno Ganz]]></category>
		<category><![CDATA[David Hare]]></category>
		<category><![CDATA[David Kross]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Holocaust]]></category>
		<category><![CDATA[Kate Winslet]]></category>
		<category><![CDATA[Lena Olin]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[period piece]]></category>
		<category><![CDATA[Ralph Fiennes]]></category>
		<category><![CDATA[Stephen Daldry]]></category>
		<category><![CDATA[Sydney Pollack]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1699</guid>
		<description><![CDATA[  Director Stephen Daldry (The Hours, Billy Elliot) and screenwriter David Hare’s adaptation of Bernhard Schlink’s novel (produced by the late Anthony Minghella and Sydney Pollack) studies evolving notions of German postwar guilt and culpability. Unfolding across three distinct time periods (1958, 1966, and 1995), The Reader hinges on a significant reveal in its middle [...]
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]]></description>
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		</item>
		<item>
		<title>Sense and Sensibility (1995)</title>
		<link>http://www.thedorkreport.com/2008/04/19/sense-and-sensibility-1995/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=sense-and-sensibility-1995</link>
		<comments>http://www.thedorkreport.com/2008/04/19/sense-and-sensibility-1995/#comments</comments>
		<pubDate>Sun, 20 Apr 2008 02:05:53 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Emma Thompson]]></category>
		<category><![CDATA[Hugh Grant]]></category>
		<category><![CDATA[Jane Austen]]></category>
		<category><![CDATA[Kate Winslet]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=759</guid>
		<description><![CDATA[  In this Dork Reporter’s opinion, Ang Lee’s Sense and Sensibility is the best of breed of Jane Austen film adaptations. Please note, however, there are two very good reasons to discredit my opinion on this subject: I. Despite my English major, I am ashamed to admit I have read only one Jane Austen novel: [...]
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]]></description>
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