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	<title>The Dork Report &#187; Julianne Moore</title>
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		<title>Blindness</title>
		<link>http://www.thedorkreport.com/2009/03/29/blindness/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=blindness</link>
		<comments>http://www.thedorkreport.com/2009/03/29/blindness/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 01:21:50 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[adaptation]]></category>
		<category><![CDATA[Alice Braga]]></category>
		<category><![CDATA[Danny Glover]]></category>
		<category><![CDATA[Fernando Meirelles]]></category>
		<category><![CDATA[horror]]></category>
		<category><![CDATA[José Saramago]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[Mark Ruffalo]]></category>
		<category><![CDATA[novel]]></category>
		<category><![CDATA[Sandra Oh]]></category>
		<category><![CDATA[science fiction]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1692</guid>
		<description><![CDATA[  Director Fernando Meirelles has examined desperate pressure cookers City of God) and institutional corruption (The Constant Gardener) before. Blindness proves perfect to meld both themes, with a science fiction twist imagining the downfall of civilization itself. Blindness is part of a special subset of the horror/sci-fi/disaster genre: the dystopian end-of-civilization nightmare. Whereas the typical [...]
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]]></description>
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		</item>
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		<title>The Big Lebowski</title>
		<link>http://www.thedorkreport.com/2008/10/11/big-lebowski/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=big-lebowski</link>
		<comments>http://www.thedorkreport.com/2008/10/11/big-lebowski/#comments</comments>
		<pubDate>Sun, 12 Oct 2008 00:51:25 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Aimee Mann]]></category>
		<category><![CDATA[caper]]></category>
		<category><![CDATA[Coen Brothers]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[David Thewlis]]></category>
		<category><![CDATA[Ethan Coen]]></category>
		<category><![CDATA[film noir]]></category>
		<category><![CDATA[Flea]]></category>
		<category><![CDATA[Jeff Bridges]]></category>
		<category><![CDATA[Joel Coen]]></category>
		<category><![CDATA[John Goodman]]></category>
		<category><![CDATA[John Turturro]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[Sam Elliott]]></category>
		<category><![CDATA[Steve Buscemi]]></category>
		<category><![CDATA[The Dude]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1212</guid>
		<description><![CDATA[  In 1998, when all the world wanted from Joel Coen and Ethan Coen was another Fargo, they got The Big Lebowski instead. The Coens recently repeated this trick by following up another masterpiece, No Country for Old Men, with the happy-go-lucky Burn After Reading. The Dork Report wonders if this compulsion is by design [...]
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			</ol>

]]></description>
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		<title>Children of Men</title>
		<link>http://www.thedorkreport.com/2008/08/29/children-of-men-2/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=children-of-men-2</link>
		<comments>http://www.thedorkreport.com/2008/08/29/children-of-men-2/#comments</comments>
		<pubDate>Sat, 30 Aug 2008 01:59:59 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[5 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Alfonso Cuarón]]></category>
		<category><![CDATA[Chiwetel Ejiofor]]></category>
		<category><![CDATA[Clive Owen]]></category>
		<category><![CDATA[Julianne Moore]]></category>
		<category><![CDATA[Michael Caine]]></category>
		<category><![CDATA[P.D. James]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1029</guid>
		<description><![CDATA[  Alfonso Cuarón’s Children of Men is absolutely one of the best movies I’ve ever seen. Two viewings have overwhelmed me with some of the strongest emotional reactions I’ve ever had to a movie. It is, at the very least, one of the best of 2007 (along with Pan’s Labyrinth and United 93), and everything [...]
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