Nine Inch Nails & Jane’s Addiction live at Jones Beach, June 7, 2009

 

STREET SWEEPER SOCIAL CLUB

Street Sweeper Social Club, the new band formed by Rage Against the Machine guitarist Tom Morello, opened. Their badass cover of M.I.A.’s “Paper Planes” was a highlight.

Nine Inch Nails live at Jones Beach New York

NINE INCH NAILS

It felt wrong somehow to see a band as moody and dark as Nine Inch Nails play while the sun was still up. But clouds soon moved in, obscuring a sunset that would have been impressive over the water, making everything suitably gloomy and very, very cold as NIN chased summer away. This stripped-down four-piece version of the band played a great cover of David Bowie’s “I’m Afraid of Americans,” the best song Nine Inch Nails could have but never wrote, and ended with the overwhelmingly sad “Hurt.” Surprisingly omitted was “Closer,” what I would assume to be a requisite entry in any NIN set list (but the end theme did feature in a short instrumental jam). Speaking of, said jam was one of only two instrumental portions of the set (the other being The Fragile’s ambient interlude “The Frail”). A little disappointing, given that Trent Reznor has been becoming more and more musically experimental and adventurous of late, with whole chunks of The Fragile and the entirety of the massive two-disc Ghosts being instrumental. Personally, when it comes to Nine Inch Nails, the music (not so much the gloomy lyrics) is where the action is for me.

Nine Inch Nails live at Jones Beach New York

JANE’S ADDICTION

All thanks to Reznor for playing peacekeeper in reuniting the notoriously fractious and unstable Jane’s Addiction, at least for the length of the NIN/JA tour. Basically a funk/prog/metal power-trio fronted by the antics of Perry Farrell, a… unique individual whose ego (he once re-released a raft of Jane’s Addiction songs under just his own name on a solo greatest hits album) has often created conflict with bassist Eric Avery. The full moon peeking out from the clouds probably only added to Farrell’s lunacy. They opened with their magnum opus “Three Days,” an epic featuring more discrete guitar solos by Dave Navarro than I could count. Honestly, where do you go from there? They kept finding high points to hit, however, including “Ocean Size” and the closer (what else?) “Jane Says.” It only took a few songs for the ageless Navarro’s vest to disappear (he must have one heck of a personal trainer, not to mention a chest hair waxer), and Perry’s shirt followed shortly thereafter.

Jane's Addiction live at Jones Beach New York

THE FUTURE

Reznor has made vague noises about Nine Inch Nails coming to some kind of end following this tour. It remains to be seen whether he means retiring the name in favor of solo work, starting a new band, or simply ceasing to tour for a while. He’s reportedly been clean & sober for some time now, and engaged to be married, so more power to him. If he retreats now, he’d be going out on a high note. I hope the original lineup of Jane’s Addiction manages to keep it together to continue working in some form or another. With only two studio albums to their credit (I’m not counting the awful Strays, written & recorded without Avery’s inimitable bass), the world needs some new songs from them.

GETTING THERE AND BACK

I had a little unexpected adventure on the long trip from Manhattan all the way out to Jones Beach. Met a few fans on the Long Island Railroad as we debated the various ways of getting there, all of which suck. Thanks to Kim & friend for the impromptu car ride to the venue! But I didn’t have the same luck on the way back, an ordeal that included waiting a full hour for a LIRR train to arrive. Picture dozens of hungry fans, shivering atop an elevated platform in the middle of nowhere.

Jane's Addiction live at Jones Beach New York

THE VENUE

Blech. Surrounded on three sides by water, Jones Beach sounds nice in theory, but in person it’s cold. Never mind if you’re going to a show there during the summer; dress warmly. Also, for a music lover used to all kinds of venues in Manhattan and Brooklyn, it’s in the middle of nowhere, with no food or water for literally miles. The exorbitant concession prices are, let’s be honest here, graft. Just to keep from dehydrating and getting a migraine from all the second-hand pot smoke, I reluctantly paid $6.50 for a bottled water, which I certainly hope the venue recycled. Also, the sound system is kinda crappy. Jane’s were noticeably louder than NIN, but Farrell’s mike sounded pretty muffled, especially on the first and last songs.

THE AUDIENCE

The audience was a weird mixture of goths, metalheads, and graying thirtysomethings like me. Although NIN has remained extremely relevant for some time now, the original Jane’s lineup has been out of action for more than a decade, and both bands date back to the late 80s / early 1990s, when I was in high school. The black-fingernailed loners didn’t surprise me, but I didn’t really expect so many headbangers. I even saw a middle-aged, bearded, fat dude in a skirt, a look I thought fizzled on arrival in the mid-90s. In retrospect, I shouldn’t really have been surprised, but I come at Nine Inch Nails and Jane’s Addiction from a different angle. Listening to NIN is an extension of my appreciation for electronic and progressive rock, and Jane’s viscerally filthy, slightly sleazy rock owes more than a little to Led Zeppelin (who were also arguably a bit prog).


Official band sites: www.nin.com and www.janesaddiction.com

Buy The Slip, Nine Inch Nails’ latest album, and the new Jane’s Addiction rarities boxed set A Cabinet of Curiosities from Amazon and kick back a few pennies to The Dork Report.

26 Albums I’m Told I Should Remove From My Collection

100albums2.jpgThe author, with some of the offending articles

Chalkills, the XTC fansite, wants to help you sift through the detritus of your music collection, pronto: One Hundred Albums You Should Remove from Your Collection Immediately (spotted on DGMLive).

I own (or once owned) a whopping 26% of these overrated (so they say) canonical classics! Hey, Chalkhills, what did I ever do to you? I love XTC (Apple Venus and Wasp Star being two of my all-time favorite albums, hands-down), so my tastes can’t be all bad, can they? But having read your list, I find that for every one of your selections that brings steam out of my ears, there’s another with which I have to begrudgingly agree.

So here’s my annotated list, including, for fun, the format in which I purchased each offending title and whether or not I eventually discarded it:

U2 - The Joshua Tree
2. U2 – The Joshua Tree
20th Anniversary Edition boxed set
U2’s true masterpiece Achtung Baby was yet to come, but the complex depth of that record wouldn’t have been possible without the unironic earnestness of The Joshua Tree. And yes, maybe I’m a snob (not to mention old) for upgrading to the remastered anniversary edition, but just the other day I listened to the revived recording of “Mothers of the Disappeared” with my jaw literally hanging open and the proverbial chills running up and down my spine.


Nirvana - Nevermind
3. Nirvana – Nevermind
cassette (discarded)
It was a gift, I swear. While I intellectually understand what the mass-market breakthrough of Nirvana did for music (basically, sparking a fresh explosion of so-called “alternative” music comparable to punk’s effect on a stagnant world of disco and stadium rock in the early 1970s), I always preferred the rock ‘n’ roll songcraft of Pearl Jam to the loud ‘n’ sloppy depression of Nirvana.


The Beatles - Let It Be
5. The Beatles – Let It Be
cd, The “Naked” version
Any antipathy towards the Beatles seems a bit strange coming from an XTC fansite — surely Andy Partridge and Colin Moulding are acolytes. Do I still have to discard Let It Be if I own the McCartney-approved “Naked” edition, as opposed to the original with Wall-of-Schmaltz orchestral overdubs by Phil Spector? Let it Be is not my favorite Beatles long-player (that would definitely be The White Album), and obviously one the lads tossed off at the tail end of their (actually quite brief) association. But how is that any different, really, from their early quickie LPs recorded in mere hours with the aid of amphetamines?


The Police - Synchronicity
7. The Police – Synchronicity
cassette (discarded)
I agree with Chalkhills’ assessment that Synchronicity is a surprisingly dark album for a mainstream platinum hit, but I believe that’s exactly what makes it special. What other band, at the peak of their commercial success, released such a paranoid, neurotic album? OK, maybe Radiohead’s Kid A.


Lou Reed - Transformer
8. Lou Reed – Transformer
vinyl
Agreed. “Walk on the Wild Side” and “Satellite of Love” are both masterpieces, but I couldn’t name a single other song from the album. Am I redeemed by owning the vinyl edition? It must be said that it earns extra Cool Points for being produced by David Bowie, but the back cover photograph of Lou with the boner in his tight jeans is just plain gross.


Miles Davis - Bitches Brew
9. Miles Davis – Bitches Brew
Complete Bitches Brew Sessions boxed set
Yes, I am that poseur that owns the Complete Sessions boxed set. I have to very, very strongly object to Chalkhills’ dismissal here (and I do I detect a strong anti-jazz bias?). Miles changed music forever when he plugged in to rock, fusion, and funk. Trying to pretend Bitches Brew never happened is as fruitless as still complaining about Bob Dylan going rock (or country, or Christian, etc…) or The Sex Pistols giving the world the finger. The difference is that it still sounds fresh and new.


Led Zeppelin - Physical Graffiti
12. Led Zeppelin – Physical Graffiti
vinyl
I love me some Zeppelin, but I have to agree that Physical Graffiti isn’t a keeper. It is, however, better than its follow-up Presence (but that’s not saying much).


Beck - Midnite Vultures
19. Beck – Midnite Vultures
cd (sold)
Agreed. I listened to it once, and then sold it as quickly as I could. Blech!


Derek and the Dominoes - Layla and Other Assorted Love Songs
21. Derek and the Dominoes – Layla and Other Assorted Love Songs
cd (sold)
I could not agree more: two brilliant songs in “Layla” and “Little Wing,” padded out with a forgettable batch of filler. Legend has it the substance-abusing Clapton literally does not recall recording the album.


The Who - Tommy
22. The Who – Tommy
vinyl (triple gatefold with lyric booklet)
I don’t disagree that Tommy is loaded down with a lot of silliness and filler, but hey, it’s a rock opera, and the first one at that. What do you expect?


U2 - Zooropa
26. U2 – Zooropa
cd
I firmly, absolutely disagree. Zooropa may be a product of its time (the cut ‘n’ paste postmodern media overloaded 1990s), but it includes some of U2’s all-time best songs, including the title track and Stay (Faraway So Close). The multilayered production by Flood and Brian Eno may make the songs “sound weird,” but it also rewards a lifetime of repeat listens.


The Flaming Lips - The Soft Bulletin
32. The Flaming Lips – The Soft Bulletin
cd
I regrettably agree. Give me Yoshimi Battles the Pink Robots any day, but I just can’t get into this one.


Dave Brubeck - Time Out
34. Dave Brubeck – Time Out
cd
Blaspheme! Blaspheme! Again with the jazz hate! I was not aware anybody disliked this album. What’s wrong with you? If you had included Miles Davis’ Kind of Blue on your list, I think I would have had an aneurism.


Wilco - Being There
39. Wilco – Being There
cd (sold)
Like the rest of the world, I loved Yankee Hotel Foxtrot, so I sought out some older Wilco albums. And I suspect like most of those people, I got rid of them.


The Police - Zenyatta Mondatta
42. The Police – Zenyatta Mondatta
cd
Disagree! Zenyatta Mondatta is my favorite Police album. Granted, “De Doo Doo Doo, De Da Da Da” is the epitome of pop silliness (except for maybe “Louie Louie” and R.E.M.’s “Stand”), but the rest of the album is full of classic reggae-inflected new wave pop.


Jane's Addiction - Nothing's Shocking
44. Jane’s Addiction – Nothing’s Shocking
cd
As Perry Farrell himself once sang, “Stop!” Jane’s Addiction’s debut studio album Nothing’s Shocking is a fantastic batch of songs. Perry Farrell’s wild persona and Dave Navarro’s famously louche lifestyle got all the press, but my god, haven’t you listened to the rhythm section? Jane’s Addiction proved that prog could live without shame in a new world after Led Zeppelin, and they got even better in their next album Ritual De Lo Habitual (before self-destructing, alas).


Cocteau Twins - Heaven or Las Vegas
50. Cocteau Twins – Heaven or Las Vegas
cd
I don’t have a really strong opinion about it, but I enjoy listening to it from time to time. I didn’t even know it was especially popular. Sorry, jeez.


Radiohead - I Might be Wrong
51. Radiohead – I Might be Wrong
cd
It’s a fair statement that most live albums begin life as contractual obligations. But what actually does bother me more about I Might Be Wrong is that it’s basically an EP sold at LP prices. That said, the performances are strong, and prove that the weird, arty music on Kid A and Amnesiac can and really do come to life on stage.


Tori Amos - Under the Pink
54. Tori Amos – Under the Pink
cd (sold)
I loved Tori’s official solo debut Little Earthquakes, but I suspect my sensitive teenager self may have been crushing on the cute & quirky redhead at the piano.


Arrested Development - 3 Years, 5 Months, & 2 Days In The Life Of...
55. Arrested Development – 3 Years, 5 Months, & 2 Days In The Life Of…
cd (sold)
“…non-threatening rap-lite for sensitive white liberals who want to “keep it real” and experience hip-hop safely.” Zing! Busted.


Pink Floyd - The Dark Side of the Moon
64. Pink Floyd – The Dark Side of the Moon
30th Anniversary SACD
Again, blaspheme! Yes, enough copies of Dark Side of the Moon exist on this planet to form their own continent, but don’t you think there is a reason for that? Mere momentum alone can’t be enough to explain its appeal. If you want to single out one Pink Floyd album for being overrated and overpurchased, please allow me to direct you to The Wall, which unlike most other Floyd albums, appeals to sullen immature teenagers but does not grow in sophistication as they do.


Sarah McLachlan - Fumbling Towards Ecstasy
65. Sarah McLachlan – Fumbling Towards Ecstasy, Surfacing
cds (still on my shelf but I really ought to sell them)
Ouch! You got me here. I once liked both of these, but quickly fell out of love with them. I maintain there are some decent songs underneath the slick adult contemporary overproduction.


U2 - War
69. U2 – War
vinyl
U2 charts no less than three times on this haters list, rivaling the Beatles and the entire genre of jazz for raising Chalkhills’ bile. I suggest revisiting “Sunday Bloody Sunday” and tell me if the drums don’t make the hair on the back of your neck stand up.


R.E.M. - Out of Time
80. R.E.M. – Out of Time
cd
OK, maybe it’s not their best, and it is especially disappointing for having come right after the legendary, essential album Green. But “Shiny Happy People” is maybe the best 3/4-time pop song ever, and the whole second half is superb.


Grateful Dead Reckoning
83. Grateful Dead – any album
Reckoning (lp) & Infrared Roses (cd)
Yep, I picked up a secondhand vinyl copy of Reckoning for pennies and it’s pretty loose and rambling, even for the Dead. But I do dig the crazy electronic jams on Infrared Roses, man.


Sting - Ten Summoner's Tales
90. Sting – Ten Summoner’s Tales
cd (sold)
I’ll cop to liking “Fields of Gold” back in the day. Oh god, did I just admit that out loud on the internet?


There, done. Finally, I just want to say that yes, I do have a sense of humor and I get the point of Chalkhill’s rant. Responding to their List of Hate was just an excuse for me to scribble out a few words about some of the dustiest old artifacts from my music collection. Thanks!

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