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	<title>The Dork Report &#187; Edward Norton</title>
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	<link>http://www.thedorkreport.com</link>
	<description>A subjective look at an eclectic selection of movies, music, and design.</description>
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		<title>Pride and Glory</title>
		<link>http://www.thedorkreport.com/2009/03/22/pride-glory/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=pride-glory</link>
		<comments>http://www.thedorkreport.com/2009/03/22/pride-glory/#comments</comments>
		<pubDate>Mon, 23 Mar 2009 02:14:39 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[1 Star]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Colin Farrell]]></category>
		<category><![CDATA[drama]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Gavin O'Connor]]></category>
		<category><![CDATA[New Line Cinema]]></category>
		<category><![CDATA[New York City]]></category>
		<category><![CDATA[Noah Emmerich]]></category>
		<category><![CDATA[police]]></category>
		<category><![CDATA[Warner Bros.]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1682</guid>
		<description><![CDATA[  Pride and Glory was one of the last New Line Cinema productions made while still a semi-autonomous company, before being eviscerated by parent company Warner Bros. in 2008. For the morbidly curious, Vanity Fair recently related the sad tale in its latest Hollywood issue. Disclaimer: I worked for New Line Cinema through its end [...]
<h3 class="relpostshead">Related Posts:</h3>


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		<a href="http://www.thedorkreport.com/2006/03/10/pride-prejudice-2/" rel="bookmark" title="Pride &amp; Prejudice (2005)">Pride &amp; Prejudice (2005)</a></li>
										<li><a href="http://www.thedorkreport.com/2005/08/11/spam-poem-no-1-here-we-come/" rel="bookmark" title="Spam Poem No. 1: “Here we come!”"><img width="100" height="100" src="http://www.thedorkreport.com/wp-content/uploads/2006/04/spoetry-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="spoetry" title="spoetry" /></a><br/>
		<a href="http://www.thedorkreport.com/2005/08/11/spam-poem-no-1-here-we-come/" rel="bookmark" title="Spam Poem No. 1: “Here we come!”">Spam Poem No. 1: “Here we come!”</a></li>
			</ol>

]]></description>
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		</item>
		<item>
		<title>Ridley Scott’s Kingdom of Heaven</title>
		<link>http://www.thedorkreport.com/2009/01/04/ridley-scott-kingdom-of-heaven/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=ridley-scott-kingdom-of-heaven</link>
		<comments>http://www.thedorkreport.com/2009/01/04/ridley-scott-kingdom-of-heaven/#comments</comments>
		<pubDate>Sun, 04 Jan 2009 22:23:21 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[2005]]></category>
		<category><![CDATA[crusades]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Eva Green]]></category>
		<category><![CDATA[history]]></category>
		<category><![CDATA[Jerusalem]]></category>
		<category><![CDATA[Liam Neeson]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[Orlando Bloom]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[war]]></category>
		<category><![CDATA[William Monahan]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1355</guid>
		<description><![CDATA[  Ridley Scott’s video introduction to the Director’s Cut of Kingdom of Heaven claims it is more than a merely extended version of the film. The Director’s Cut represents his intentions, and is “the best version” of the film. The most significant restoration he singles out is a subplot involving Princess Sibylla’s son. This version [...]
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		<a href="http://www.thedorkreport.com/2008/11/27/ridley-scott-white-squall/" rel="bookmark" title="Ridley Scott’s White Squall">Ridley Scott’s White Squall</a></li>
			</ol>

]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Incredible Hulk</title>
		<link>http://www.thedorkreport.com/2008/06/14/incredible-hulk/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=incredible-hulk</link>
		<comments>http://www.thedorkreport.com/2008/06/14/incredible-hulk/#comments</comments>
		<pubDate>Sun, 15 Jun 2008 01:24:55 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[comics]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Hulk]]></category>
		<category><![CDATA[Liv Tyler]]></category>
		<category><![CDATA[Lou Ferrigno]]></category>
		<category><![CDATA[Louis Leterrier]]></category>
		<category><![CDATA[Marvel Comics]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Tim Roth]]></category>
		<category><![CDATA[Zak Penn]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=885</guid>
		<description><![CDATA[  The Incredible Hulk is Hollywood’s latest incidence of what has become known as a “reboot.” The term, I believe was originally coined in the comic book world, with further derivations in computer terminology. When a franchise begins to show its age with stalled creative energy and declining sales, its owners may opt to check [...]
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			</ol>

]]></description>
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		</item>
		<item>
		<title>The Illusionist</title>
		<link>http://www.thedorkreport.com/2007/01/11/the-illusionist/?utm_source=rss&#038;utm_medium=rss&#038;utm_campaign=the-illusionist</link>
		<comments>http://www.thedorkreport.com/2007/01/11/the-illusionist/#comments</comments>
		<pubDate>Thu, 11 Jan 2007 23:55:28 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[3 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Paul Giamatti]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/2007/01/11/the-illusionist/</guid>
		<description><![CDATA[  The Illusionist perhaps suffers from being released in proximity to The Prestige, a far superior period piece sharing the use of magic as a storytelling conceit. However, The Illusionist has two strong assets to point out: The cinematography is truly beautiful, comprised of sepia images (seemlingly projected by oil lamp) and old-school iris out [...]
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		<a href="http://www.thedorkreport.com/2008/02/20/paul-muni-original-gangsta/" rel="bookmark" title="Paul Muni: Original Gangsta">Paul Muni: Original Gangsta</a></li>
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		<a href="http://www.thedorkreport.com/2009/06/16/international/" rel="bookmark" title="The International">The International</a></li>
			</ol>

]]></description>
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