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<channel>
	<title>The Dork Report &#187; animation</title>
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	<link>http://www.thedorkreport.com</link>
	<description>A subjective look at an eclectic selection of movies, music, and design.</description>
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		<title>Waltz With Bashir</title>
		<link>http://www.thedorkreport.com/2009/07/26/waltz-with-bashir/</link>
		<comments>http://www.thedorkreport.com/2009/07/26/waltz-with-bashir/#comments</comments>
		<pubDate>Mon, 27 Jul 2009 03:28:09 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[3 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Ari Folman]]></category>
		<category><![CDATA[cartoon]]></category>
		<category><![CDATA[documentary]]></category>
		<category><![CDATA[graphic novel]]></category>
		<category><![CDATA[Israel]]></category>
		<category><![CDATA[Lebanon]]></category>
		<category><![CDATA[Middle East]]></category>
		<category><![CDATA[nonfiction]]></category>
		<category><![CDATA[Palestine]]></category>
		<category><![CDATA[Waltz With Bashir]]></category>
		<category><![CDATA[war]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1870</guid>
		<description><![CDATA[  Ari Folman’s Waltz With Bashir could easily be filed away under any or all of the following genres: documentary, autobiography, memoir, journalism, and nonfiction. If there’s one thing all of these have in common, it’s that none make for natural cartoons. The exception that proves the rule is Marjane Satrapi’s Persepolis (read The Dork [...]
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		<a href="http://www.thedorkreport.com/2009/07/28/generation-kill/" rel="bookmark" title="Generation Kill">Generation Kill</a></li>
			</ol>

]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Star Wars: The Clone Wars</title>
		<link>http://www.thedorkreport.com/2009/07/23/star-wars-clone-wars/</link>
		<comments>http://www.thedorkreport.com/2009/07/23/star-wars-clone-wars/#comments</comments>
		<pubDate>Fri, 24 Jul 2009 03:22:19 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Anthony Daniels]]></category>
		<category><![CDATA[Ashley Eckstein]]></category>
		<category><![CDATA[Christopher Lee]]></category>
		<category><![CDATA[Dave Filoni]]></category>
		<category><![CDATA[George Lucas]]></category>
		<category><![CDATA[James Arnold Taylor]]></category>
		<category><![CDATA[Jedi]]></category>
		<category><![CDATA[Kevin Kiner]]></category>
		<category><![CDATA[Matt Lanter]]></category>
		<category><![CDATA[Samuel L. Jackson]]></category>
		<category><![CDATA[science fiction]]></category>
		<category><![CDATA[Star Wars]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1865</guid>
		<description><![CDATA[  After writing and directing three prequels between 1999–2005, it’s easy to forget that Star Wars godfather George Lucas opted out of directing Episodes IV: The Empire Strikes Back and V: Return of the Jedi back in the 1980s. Now Lucas appears once again to be ceding control over his most famous baby. He’s back [...]
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		<a href="http://www.thedorkreport.com/2009/05/25/star-trek/" rel="bookmark" title="Set Phasers to Awesome: Star Trek">Set Phasers to Awesome: Star Trek</a></li>
							<li><a href="http://www.thedorkreport.com/2011/12/04/visualizing-the-invisible-bright-star/" rel="bookmark" title="Visualizing the Invisible: Bright Star"><img width="100" height="100" src="http://www.thedorkreport.com/wp-content/uploads/2011/12/bright_star_1-100x100.jpg" class="attachment-thumbnail wp-post-image" alt="bright_star_1.jpg" title="bright_star_1.jpg" /></a><br/>
		<a href="http://www.thedorkreport.com/2011/12/04/visualizing-the-invisible-bright-star/" rel="bookmark" title="Visualizing the Invisible: Bright Star">Visualizing the Invisible: Bright Star</a></li>
			</ol>

]]></description>
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		</item>
		<item>
		<title>Coraline</title>
		<link>http://www.thedorkreport.com/2009/02/10/coraline/</link>
		<comments>http://www.thedorkreport.com/2009/02/10/coraline/#comments</comments>
		<pubDate>Wed, 11 Feb 2009 04:56:46 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[3D]]></category>
		<category><![CDATA[adventure]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[fantasy]]></category>
		<category><![CDATA[Neil Gaiman]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1475</guid>
		<description><![CDATA[  I saw Coraline on its opening day in my favorite movie theater, the best possible venue to see any remotely visually ambitious movie: the Clearview Ziegfeld in New York City. Fittingly, my tickets were misprinted “Caroline,” a misnomer that is a recurring plot point. Coraline was written and directed by stop-motion animation genius Henry [...]
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						</ol>

]]></description>
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		</item>
		<item>
		<title>The Incredibles</title>
		<link>http://www.thedorkreport.com/2009/01/10/incredibles/</link>
		<comments>http://www.thedorkreport.com/2009/01/10/incredibles/#comments</comments>
		<pubDate>Sat, 10 Jan 2009 22:42:49 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[5 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Brad Bird]]></category>
		<category><![CDATA[Craig T. Nelson]]></category>
		<category><![CDATA[Holly Hunter]]></category>
		<category><![CDATA[Pixar]]></category>
		<category><![CDATA[Sarah Vowell]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1389</guid>
		<description><![CDATA[  Like writer/director Brad Bird’s Ratatouille, The Incredibles is a virtually perfect movie. Bird’s astonishing one-two punch for Pixar builds on the animation studio’s reputation for deep emotional resonance already earned by Andrew Stanton’s Finding Nemo (read The Dork Report review) and later reconfirmed by Wall-E (read The Dork Report review). But Bird’s films add [...]
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		<a href="http://www.thedorkreport.com/2008/07/24/wall-e/" rel="bookmark" title="WALL-E">WALL-E</a></li>
			</ol>

]]></description>
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		</item>
		<item>
		<title>Persepolis</title>
		<link>http://www.thedorkreport.com/2008/08/29/persepolis/</link>
		<comments>http://www.thedorkreport.com/2008/08/29/persepolis/#comments</comments>
		<pubDate>Sat, 30 Aug 2008 01:41:03 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[graphic novel]]></category>
		<category><![CDATA[Iran]]></category>
		<category><![CDATA[Marjane Satrapi]]></category>
		<category><![CDATA[memoir]]></category>
		<category><![CDATA[Vincent Paronnaud]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=1012</guid>
		<description><![CDATA[  Named after the ancient Persian city, Marjane Satrapi’s graphic novel Persepolis is a memoir of her life in Europe and Iran after the Iranian revolution. This animated feature joins the growing ranks of comic book adaptations that prove that comics are not only about superheroes that dress up in animal-themed costumes to battle crime. [...]
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		<a href="http://www.thedorkreport.com/2008/08/09/batman-gotham-knight/" rel="bookmark" title="Batman: Gotham Knight">Batman: Gotham Knight</a></li>
			</ol>

]]></description>
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		</item>
		<item>
		<title>Batman: Gotham Knight</title>
		<link>http://www.thedorkreport.com/2008/08/09/batman-gotham-knight/</link>
		<comments>http://www.thedorkreport.com/2008/08/09/batman-gotham-knight/#comments</comments>
		<pubDate>Sat, 09 Aug 2008 15:10:21 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Batman]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=941</guid>
		<description><![CDATA[  Batman: Gotham Knight is a direct-to-DVD production from Warner Premiere, intended as a back-door prequel to the feature film Batman: The Dark Knight. Warner Bros. has tried this tactic before, and will again. 2003’s The Animatrix was a planned interlude in The Matrix franchise, enjoying extensive involvement from filmmakers the Wachowski Brothers. Coming soon [...]
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]]></description>
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		<item>
		<title>WALL-E</title>
		<link>http://www.thedorkreport.com/2008/07/24/wall-e/</link>
		<comments>http://www.thedorkreport.com/2008/07/24/wall-e/#comments</comments>
		<pubDate>Fri, 25 Jul 2008 03:55:12 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[Andrew Stanton]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Jonathan Ive]]></category>
		<category><![CDATA[Pixar]]></category>
		<category><![CDATA[Wall-E]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/?p=927</guid>
		<description><![CDATA[  With the delightful WALL-E, Pixar continues its as-yet unbroken winning streak of instant-classic films for all ages. From among their oeuvre, my personal tastes run toward the darker and more psychologically complex The Incredibles and Ratatouille by director Brad Bird. Andrew Stanton’s WALL-E certainly ranks among Pixar’s greatest hits, all films that will resonate [...]
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			</ol>

]]></description>
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		<title>Paprika</title>
		<link>http://www.thedorkreport.com/2008/03/02/paprika/</link>
		<comments>http://www.thedorkreport.com/2008/03/02/paprika/#comments</comments>
		<pubDate>Mon, 03 Mar 2008 03:36:44 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[3 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[anime]]></category>
		<category><![CDATA[Japan]]></category>
		<category><![CDATA[manga]]></category>
		<category><![CDATA[Satoshi Kon]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/2008/03/02/paprika/</guid>
		<description><![CDATA[  There’s a huge interest in Japanese manga and anime in the us, but it’s rare for an anime feature film to get a theatrical release. From the name and poster alone (indeed, what caught my own interest), one might not even guess Paprika is foreign-language, let alone anime. Anime is a medium, not a [...]
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			</ol>

]]></description>
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		</item>
		<item>
		<title>The Iron Giant</title>
		<link>http://www.thedorkreport.com/2007/01/10/iron-giant/</link>
		<comments>http://www.thedorkreport.com/2007/01/10/iron-giant/#comments</comments>
		<pubDate>Thu, 11 Jan 2007 01:53:03 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[4 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Brad Bird]]></category>
		<category><![CDATA[Iron Giant]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/2007/01/10/the-iron-giant/</guid>
		<description><![CDATA[  The Iron Giant is a sorely underrated animated film remarkable on so many fronts, not the least being a rare film among the company of The Incredibles (not coincidentally also directed by Brad Bird) as a story truly for the ages and for “all ages.” Also one of the few films capable of choking [...]
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		<title>Happy Feet</title>
		<link>http://www.thedorkreport.com/2006/11/17/happy-feet/</link>
		<comments>http://www.thedorkreport.com/2006/11/17/happy-feet/#comments</comments>
		<pubDate>Fri, 17 Nov 2006 13:41:21 +0000</pubDate>
		<dc:creator>Chad Ossman</dc:creator>
				<category><![CDATA[2 Stars]]></category>
		<category><![CDATA[Movies]]></category>
		<category><![CDATA[animation]]></category>
		<category><![CDATA[Antarctica]]></category>
		<category><![CDATA[George Miller]]></category>

		<guid isPermaLink="false">http://www.thedorkreport.com/2006/11/17/happy-feet/</guid>
		<description><![CDATA[  Happy Feet is a tough one to try to reduce to a single stars-out-of-five rating. It possesses two extreme split personalities, its lack of integration calling into question its integrity. Was there a struggle behind the scenes between a studio wanting another cookie-cutter cartoon animal kid flick vs. a filmmaker envisioning something of substance? [...]
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