Bubble

Bubble movie poster

 

As a look into the lives of factory workers in an economically depressed town turns into a noir (as Steven Soderbergh himself notes on the commentary track), I caught a whiff of class anthropology. That said, I understand Soderbergh’s point that critics’ charges of exploitation are condescending; the non-actors are intelligent human beings who wholly knew what they were getting into.

With this project, Soderbergh is tackling several unknowns at once: high-definition video, the feasibility of simultaneous release, and the storytelling device of drawing on the real-life experiences of non-actors. How does one tell if an experiment is a success when there are so many variables?

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