UPDATE: Read our revised and expanded review of the Caprica pilot, written after the pilot aired on television.
The recently concluded series Battlestar Galactica (2003-2009) was critically acclaimed and much beloved by a relatively small group of fans and critics that appreciated the sexy, brainy show’s bleak, pessimistic view of humanity. It will certainly live forever as a classic achievement in television, but the common consensus is that it failed to reach the wide audience it could have. Executive Producer Ron Moore told Variety “‘We had viewers say that if they were able to trick their wives or girlfriends into watching Galactica, they loved it. But with the name Battlestar Galactica screaming science fiction,’ he adds, ‘there was just such a high hurdle to get female viewers to even try it.'” So comes Caprica, a prequel ostensibly engineered from the beginning for greater appeal.
The series proper will not air until early 2010, but in an original move, its unrated (read: blood ‘n’ boobies) movie-length pilot episode premiered day-and-date on DVD and digital download. It preserves some of the signature vernacular of its parent series: technobabble like “Cylon” (Cybernetic Lifeform Node), the trip-on-the-tongue “gods damn it,” the infamous euphemism “frak,” and even racial epithets like “dirt eater.” The character of Bill Adama (Edward James Olmos in Battlestar Galactica) appears as a young boy. Some of the same core themes are still present, particularly religious intolerance and families coping with catastrophic disaster. But there are significantly worrisome signs that indicate a fatal miscalculation on The SyFy Channel’s part (worse than their astonishingly stupid rechristening from “Sci-Fi”): Caprica hinges on two men and three annoying teens, relegating its only two adult female characters to the sidelines.
Caprica, like Battlestar Galactica, holds that there are no Surgeon General warnings in space
It may very well be the case that many women were discouraged from checking Battlestar Galactica out, but it’s also true that the show featured a bevy of significant, complex women: self-destructive firebrand Starbuck (Katee Sackhoff), president of all humanity Laura Roslin (Mary McDonnell), Dick Cheney-esque war criminal Captain Cain (Michelle Forbes), and conflicted Cylons Three (Lucy Lawless), Six (Tricia Helfer), and Eight (Grace Park). So far, at least, Caprica includes only two lead female roles, neither of whom figures strongly in the plot: Amanda Graystone (Paula Malcomson, from Deadwood) and Sister Clarice Willow (Polly Walker, from Rome). But maybe this makes a kind of sense. The core dynamic is classic storytelling: industrialist Daniel Graystone (Eric Stoltz) and lawyer Joseph Adama (Esai Morales) become entangled in a plot, while coming from opposing philosophical points of view. If one of them had been female, the viewer might naturally expect a romantic subplot. Caprica’s creators may have avoided this kind of distraction, but the downside is that the primary narrative conflict is between two men, and the only two female characters are solely defined by their relationships to their men and kids. Daniel and Amanda’s daughter Zoe (Alessandra Toressani) is killed in a terrorist attack, but we never see the icy Amanda mourn as we do Daniel. Her character is simply Daniel’s wife, nothing more. Sister Willow, at least, is revealed by the end to be more than she seems. Here’s hoping we see Amanda and Sister Willow significantly expanded in future episodes.
Another thing Battlestar Galactica got right was to sidestep altogether the trap of child characters. It was an adult show, for intelligent adults. Caprica obviously also didn’t learn from a lesson from Jericho (2006-2008), a generally smart show whose weakest characters were a pair of teens that were thankfully written out. Out of Caprica’s trio of incredibly annoying kids, at least two die but unfortunately come back.
Wait, there was a woman in Caprica? Let’s hope poor Paula Malcomson actually gets some scenes in the full series
The first 10 minutes pack in a huge download of information, especially for someone not already versed in the fictional Galactica universe. Certain key points are reiterated once things slow down later, but a new viewer tuning in cold might get the sense they were supposed to be versed in all this stuff already, instead of just getting teased with a barrage of info to be unpacked later. When a title card reads “58 years before The Fall,” Galactica fans will catch the reference to the sneak attack by the Cylons that nearly eradicates their human creators.
We then cut directly to the decadent V Club, implying its late-Rome-like decadence to be one of the direct causes of the coming Fall. A fully immersive virtual reality simulation not unlike The Matrix, the V Club is full of teens dancing to dated techno, hot lesbians, simulated human sacrifice, and a fight club. Its banality betrays a failure of imagination not just on the part of Caprica’s teens, but also on the filmmakers. A rebellious generation creates a virtual world in which they can do absolutely anything they want, and all they can come up with is a single nightclub that only spins techno from Earth’s 1990s? No gay boys want to make out? Nobody wants to fly? Nobody wants a body made of jade?
The titular Caprica is the capital of twelve planets colonized by humanity. We only caught glimpses of its future on Battlestar Galactica, so there is plenty of unexplored territory for a new series to fill in. Its fashions resemble 1950s America, perhaps meant to capitalize on the popularity of the Showtime series Mad Men. We’re supposed to agree that Caprica is a corrupt, decadent society on the cusp of collapse. But how, exactly? They’re playing god(s) by delving into dangerous technological areas like robotic weapons and artificial intelligence, or at least a means of recording a human individual’s consciousness into a computer. They’ve designed virtual reality systems capable of simulating any desire. The society is racist to the core; Taurans (from the colony Taurus) are called “dirt eaters” and associated with organized crime (although to be fair, the latter actually is true – they seem similar to the immigrant Sicilian mafia in 1920s America). Like Michael Corleone in the Godfather trilogy, Joseph is ostensibly an upstanding citizen forced to compromise with his heritage. Unable to completely extricate himself from the mob, he tries to raise his son as a Caprican, to the consternation of his grandmother.
Zoe, genius hacker, goes clubbing in The Matrix
This society’s most dangerous trait is its ingrained religious intolerance. The population is almost uniformly polytheistic, and intolerant of the minority monotheists. Underground militants have formed the Soldiers of the One, a cult that believes in a combination of monotheism and anti-science. Their representative Sister Willow manipulates terrorist tot Ben (Avan Jogia) to stage a bombing.
The biggest addition to the Battlestar Galactica mythos is a deeper look into artificial intelligence. Like the Terminator franchise, I appreciate Caprica’s emphasis that developing artificial intelligence is a separate pursuit than building robots. Too many science fiction stories seem to equate the two, including Battlestar Galactica itself in its final episode. The Day the Earth Stood Still and Forbidden Planet’s humanoid robots have minds of its own, but what about being robots makes them so, as opposed to immobile computers? Blade Runner’s replicants and A.I.’s boy robots look human first, and it is never asked what exactly makes them sentient beings (unless the question is how we anthropomorphize things that outwardly seem human). Artificial intelligence is almost always automatically evil in movies such as Terminator and 2001: A Space Odyssey. It is rarely inherently innocent, as in A.I.: Artificial Intelligence. Caprica features two disturbing scenes of a human consciousness waking up trapped in a crude robot body. That’s called overegging your pudding. Also creepy: the advances made by Zoe lead directly to Daniel’s clumsy warrior robots becoming the effective killing machines christened Cylons.
Speaking of, how could a luminary in the robotics business not know his own daughter was a genius hacker? A particularly hard-to-swallow bit of technobabble is the repeated statistic that the amount of data encoded in a human brain comprises only 300 megabytes. Apparently working on her own, Zoe comes up with the solution to preserving a human mind in a computer: supplement that 300 MB of data with the digital detritus that person has left behind: medical records, playlists, email, searches, etc. Her breakthrough allows Daniel to resurrect Joseph’s late daughter as well (although we don’t see how he obtained her 300 MB worth of brain matter). The resultant duplicate quickly goes insane, so Zoe is somehow special, the only digital human mind that doesn’t go mad.
Some awfully big events are revealed in the DVD edition’s deleted scenes: Adama learns early on that Zoe was involved in the bombing, adding an extra dimension to his interactions with her father. Also, boy bomber Ben’s mind was also successfully uploaded into the V Club by Sister Willow, suggesting that Zoe might not be so unique after all, and that her scientic breakthroughs may have been in part developed by the Soldiers of the One. Both of these strike me as great layers of complexity that would have only added to the story.
Official movie site: www.scifi.com/caprica
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