Joy Division

Joy

 

Grant Gee's documentary Joy Division covers the all-too-brief history of the eponymous post-punk band from Manchester. Joy Division was tragically short-lived, only completing two albums before lead singer Ian Curtis' suicide in 1980, but disproportionately influential. Their sound is all over the early U2 albums Boy and October, and the contemporary band Interpol has made a career out of emulating Joy Division's sound.

Gee sets the scene of late 1970s Manchester as a grimy hellhole in which "there's nothing pretty." The core members of the band are perversely inspired by a Sex Pistols concert (their review: "shite, a car crash") to form their own band. Photographer and filmmaker Anton Corbijn took some of the most memorable portraits of the band. Used to Holland's health care system, he was shocked to see poverty in England. He describes Joy Division as undernourished and shivering in their thin coats. Gee also interviews Peter Sav­ille, the graphic designer that cre­ated the remark­ably stark album sleeves that were almost as influ­en­tial as the music itself. Early cham­pion Tony Wil­son, host of the TV show “So It Goes” and later Fac­tory Records impre­sario appears. Ear­lier the sub­ject of Michael Winterbottom’s fan­tas­tic biopic 24 Hour Party Peo­ple. Cur­tis’ widow Deb­o­rah does not seem to have par­tic­i­pated, but her side of the story appears in the excel­lent biopic Con­trol (read The Dork Report review), co-produced by her and directed by Corbijn.

joy_division_1.jpgMal­nour­ished and shiv­er­ing in their thin coats: a famous por­trait of Joy Divi­sion by Anton Corbijn

Ian Cur­tis is described as a reg­u­lar lad who fre­quently bought flow­ers for his wife. In other words, the oppo­site of punk. But he’s also char­ac­ter­ized as “bipo­lar,” moody and unpre­dictable even before his epilepsy man­i­fested itself in fre­quent, dra­matic grand mal seizures. His sin­gu­lar stage pres­ence was marked by his pecu­liar form of dance inspired by his seizures (and some­times he actu­ally expe­ri­enced seizures on stage). The nec­es­sary drug treat­ments caused huge mood swings, fur­ther com­pro­mis­ing his already unsteady men­tal health. Cur­tis con­tin­ued his day job Help­ing dis­abled peo­ple for the Civil Ser­vice even as the band was tak­ing off. In a heart­break­ing bit of syn­chronic­ity, his clas­sic song She’s Lost Con­trol is about an epilep­tic girl he met though his work.

Ian Curtis of Joy DivisionIan Cur­tis of Joy Division

Grant Gee’s clear exper­tise is musi­cal doc­u­men­tary. His 1998 doc­u­men­tary Meet­ing Peo­ple is Easy famously cap­tures Radio­head break­ing through to mass pop­u­lar­ity as their 1998 album OK Com­puter is almost uni­ver­sally declared the album of the year. The frank film shows emo­tion­ally frag­ile Thom Yorke almost phys­i­cally recoil­ing from fame, but receiv­ing wise coun­sel from men­tor Michael Stipe. Gee also co-directed the excel­lent 2005 Goril­laz con­cert film Demon Days Live at the Man­ches­ter Opera House, bet­ter even than the stu­dio album that pre­ceded it. Both films have per­ma­nent spots in The Dork Report’s DVD shelf.


Offi­cial movie site: JoyDivisionMovie.co.uk

Buy the DVD from Ama­zon and kick back a few pen­nies to The Dork Report.

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