Sense and Sensibility (1995)

Sense and Sensibility

 

In this Dork Reporter’s opin­ion, Ang Lee’s Sense and Sen­si­bil­ity is the best of breed of Jane Austen film adap­ta­tions. Please note, how­ever, there are two very good rea­sons to dis­credit my opin­ion on this subject:

I. Despite my Eng­lish major, I am ashamed to admit I have read only one Jane Austen novel: Emma. Yeah, I know, I’ve got to get work­ing on that.

II. Sense and Sen­si­bil­ity fea­tures two of this Dork Reporter’s all-time favorite movie crushes: Emma Thomp­son and Kate Winslet. Any film fea­tur­ing just one of these Eng­lish roses auto­mat­i­cally earns extra credit. Any film fea­tur­ing Emma and Kate, together, equals porn (espe­cially if they hop into bed together, as they do here… granted, as sis­ters keep­ing their toes warm, but still!). Any film fea­tur­ing Emma and Kate, plus a screen­play by Emma, equals orgasm.

Sense and SensibilityKate’s got a bee in her bonnet

A few extra notes:

  • Dork Report guest com­men­ta­tor (and first-class Austen afi­cionado) Snark­bait has coined the best phrase for this genre: “Regency Era froth”
  • Actor Greg Wise (John Willoughby) later became Mr. Emma Thomp­son, after Ken­neth Branaugh fool­ishly let her get away
  • Hugh Grant’s trade­mark stam­mer, per­sis­tent inter­est in the car­pet, and out-of-control hair are still charm­ing even in 18th Cen­tury sur­round­ings. But it is dif­fi­cult to sti­fle a snicker when the dev­il­ish Grant, as Edward Fer­rars, expresses an inter­est in join­ing the Church
  • I wish I had Alan Rickman’s (Col. Bran­don) vocal cords
  • Hey, look! It’s Tom Wilkin­son in a cameo as the soon-to-be-late Mr. Dash­wood! The Dork Report thinks Wilkin­son is one of the finest actors work­ing today
  • required view­ing: Emma Thompson’s 1996 Best Adapted Screen­play Oscar accep­tance speech (not on YouTube as of this writ­ing, but here is the text)

Sense and SensibilityIt ain’t easy being sensible

Buy the DVD from Ama­zon and kick back a few pen­nies to The Dork Report.

3 thoughts on “Sense and Sensibility (1995)

  1. And I appre­ci­ate the appre­ci­a­tion of my appre­ci­a­tion. Er…

    I still haven’t man­aged to see Black­ad­der, but I’ve watched quite a few skits from “A Bit of Fry and Lau­rie” on YouTube, which are very, very funny. House does a fan­tas­tic job of har­ness­ing his balls-to-the-wall, yet very British humor into an Amer­i­can drama. Remark­able writ­ing feat, if you ask me.

    The Empire Inci­dent involved a three-year-old, twisted coils of mag­netic VHS strip, and a sus­pi­ciously corner-of-cassette-shaped inden­tion on a small boy’s bed­room wall.

  2. Hi, H-Bomb!

    Here’s a bit of trivia via guest dork reporter Snark­bait: Alan Rick­man is reported to have had a speech defect as a young lad, con­tribut­ing to his now-envious dul­cet tones.

    fraid I have yet to watch House, but I do very much love Black­ad­der, and as such you are cor­rect in call­ing me out for fail­ing to men­tion Hugh Laurie.

    I so very much owe you a com­ment on Mean Teacher… per­haps on your fine appre­ci­a­tion of Star Wars?

  3. Pos­si­bly one of my favoritestest movies of all time. You are soooooooo right about about the desir­abil­ity of Alan Rickman’s vocal chords — why I think it was genius that Kevin Smith cast him as the Meta­tron. Shame on you, how­ever, for not men­tion­ing the splen­dif­er­ous­ness of Hugh Laurie’s per­for­mance, but then per­haps you are not as smit­ten with the good Dr. House as I am.

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