Blue Man Group: The Complex Rock Tour Live

Blue Man Group - The Complex Rock Tour Live

 

This Dork Reporter may have to burn his Rock Snob card, for I just watched and enjoyed the Blue Man Group con­cert film The Com­plex Rock Tour Live. I’d long assumed that the Blue Man Group’s seem­ingly per­ma­nent res­i­dency on Lafayette Street in down­town Man­hat­tan was some kind of tourist trap like Mars 2112 or Jekyll and Hyde, but now I’m wish­ing I had looked closer.

For any oth­ers that may also have pre­ma­turely dis­missed them, the Blue Man Group is equal parts per­for­mance art col­lec­tive, per­cus­sion ensem­ble, and, well, blue. The Com­plex Rock Tour DVD cap­tures the group live in 2002, with a show that is at once both an actual rock con­cert and an ironic com­men­tary upon one.

I had to fight the sus­pi­cion through­out that a blue-clad trio of cat­bur­glars had slipped into my apart­ment and raided my cd col­lec­tion. As I watched, I started to com­pile in my head a list of artists that must have been influences:

  • Emer­gency Broad­cast Net­work. Now defunct, EBN was a trail­blaz­ing mul­ti­me­dia per­for­mance group that fused McLuhan-esque media the­ory with techno, all in the style of a tele­vi­sion news broad­cast from hell. Their caus­tic and aggres­sive social com­men­tary is a far cry from The Blue Man Group’s squeaky clean naiveté, but it’s hard not to watch footage of their live per­for­mances with­out see­ing an ances­tor of the Com­plex Rock Tour’s ironic infographics.
  • Lau­rie Anderson’s Home of the Brave con­cert film (1986). All the ingre­di­ents are here, albeit in artier form: film, per­for­mance art, mime, masks, dance, etc.
  • Peter Gabriel and Robert LePage’s Secret World Live and Grow­ing Up Live tours were as much the­ater as rock con­certs, uti­liz­ing sim­ple yet hugely sym­bolic shapes and props: a tree, an egg, the moon, etc.
  • Talk­ing Heads’ Stop Mak­ing Sense con­cert film (1983), for all the same rea­sons as Lau­rie Ander­son and Peter Gabriel above.
  • King Crim­son. Some of the Blue Man music bears more than a pass­ing resem­blance to the polyrhyth­mic tuned per­cus­sion King Crim­son employed in the early 1980s with tracks like “Wait­ing Man” and “Neil and Jack and Me.” Not only that, one of the mem­bers of the Blue Man band can be spot­ted played the Chap­man Stick, pop­u­lar­ized by Tony Levin.
  • Rock Snobs might be sur­prised to hear traces of even more mod­ern music in the Blue Man Group reper­toire. I caught snip­pets of the instru­men­tal so-called “post-rock” of UNKLE, Bat­tles, and Explo­sions in the Sky.
  • And finally, the one influ­ence the Blue Men actu­ally namecheck with a (brief) cover ver­sion in their show is Devo, but I don’t own any of their music! Maybe I should take this as a recommendation.

As humor­ous and toe-tapping as the Com­plex Rock show is, the Manhattan-based Blue Man Group end the pro­ceed­ings with “Exhibit 13″, a haunt­ing piece incor­po­rat­ing footage of actual World Trade Cen­ter debris that show­ered over Brook­lyn only a few months prior. The piece is avail­able online at Exhibit13.com

Blue Man Group - The Complex Rock Tour LiveAn excel­lent way to recy­cle your used PVC

Offi­cial site: www.blueman.com

Buy the DVD from Ama­zon and kick back a few pen­nies to The Dork Report.

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