The Dork Report for July 19, 2006

  • The Observer’s 50 Most Influ­en­tial Albums. Mind, “influ­en­tial” is not nec­es­sar­ily the same as “best,” or even “most suc­cess­ful.” It’s not sur­pris­ing The Bea­t­les are rep­re­sented by Sgt. Pepper’s, Pink Floyd by Dark Side of the Moon, and Miles Davis by Kind of Blue. How­ever, the music snob in me wants to argue with Radiohead’s The Bends (cer­tainly good, but isn’t OK Com­puter prac­ti­cally sub­lime?), Mas­sive Attack’s Blue Lines (dated to my ears, while their sub­se­quent Pro­tec­tion was a quan­tum leap and truly defined the trip-hop genre), and Talk­ing Head’s Fear of Music (Remain in Light will always be one of the most adven­tur­ous albums ever made by a rock/pop band). Also, I feel com­pelled to point out that although they are utterly and com­pletely cor­rect for iden­ti­fy­ing Eno’s Dis­creet Music for its mas­sive influ­ence (another album that defined a genre), it’s wrong to say it influ­enced Bowie’s Low and Heroes; Eno co-wrote and pro­duced those albums! (guest sub­mis­sion from Andrea)
  • Plan­ning on going before the cam­era? Pre-censor your­self with Ironic Sans pre-pixelated t-shirts.
  • Anony­mous no more: CNN pro­files the Google logo designer.
  • Dare­devil’s real-world ana­log. (spot­ted on Fortean Times)
  • I’ll bet either one of my kit­ties wish they had two faces, just to they could eat more. (spot­ted on Fortean Times)
  • Update to The Dork Report for July 13: Web­mon­key is dunions. (spot­ted on Dar­ing Fire­ball)
  • Geor­gia! It’s a font! Hooray fonts! (spot­ted on Dar­ing Fire­ball)

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