The Dork Report for May 31, 2006

  • Wow, both sides of the isle are get­ting the axe. Adobe will nix Macro­me­dia Free­hand in favor of Illus­tra­tor and Adobe GoLive in favor of Dreamweaver. My belove-to-hate Macro­me­dia Fire­works, how­ever, lives for now. Also of note is this arti­cle about merg­ing the two mas­sive sites, even though it uses made-up words like “architected.”
  • Com­put­ers take the mys­tery out of Mona’s voice and smile. (guest sub­mis­sion from Price­less Work of Art Andrea)
  • I’m Level Five, if I do say so myself, with occa­sional and hope­fully rare inci­dences of Level Four. (guest sub­mis­sion from Dave)
  • Another group lays claim to the Holy Land. (guest sub­mis­sion from Dave)
  • Robin has two mom­mies. Hooray for diver­sity in pop­u­lar media, but imag­ine hav­ing to explain this one to your 8-year-old read­ing his first comic book. (guest sub­mis­sion from Secret Iden­tity Rain­bow Andrea)
  • Spider-Man comes to town, and he’s brought his alien sym­biote buddy with him. (guest sub­mis­sion from Fair­weather Comic Dork Andrea)

F for Fake

F For Fake movie poster

 

F for Fake is Orson Welles’ last com­pleted movie: part doc­u­men­tary, part essay, part prac­ti­cal joke. Welles por­trays him­self much as I would imag­ine him: a robust racon­teur set­tled in for the long haul at a good restau­rant, sur­rounded by edu­ca­ble pretty young things, eat­ing and telling tall tales with great relish.

The Dork Report for May 30, 2006

  • Stock pho­tog­ra­phy cliches. They missed the ubiq­ui­tous asian guy with glasses who was every­where dur­ing the dot-com boom.
  • Woooooo… creepy. (spot­ted on Fortean Times)
  • More awe­some weird­ness. (spot­ted on Fortean Times)
  • Gary Trudeau does in the funny pages what should be on the front.
  • The first Lost action fig­ure is Char­lie pulling a Night of the Hunter. And just as an aside, remem­ber when action fig­ures were poseable?
  • Decep­ti­cons got they ass kicked, Trans­for­mas still old-skool like Coke Clas­sic. (guest sub­mis­sion from Dave)
  • A part use­ful, part non­sense Lost flow­chart. (guest sub­mis­sion from Every­thing is Con­nected Andrea)
  • Pic­ture­house Pres­i­dent Bob Berney tells the Boston Globe: “I don’t think the audi­ence cares how the film is financed or dis­trib­uted.” Well, duh! But at least some­body from Hol­ly­wood appar­ently gets that.
  • The offi­cial Snakes on a Plane site launches a new “Snake Kit” fea­ture… but you have to cough up your name, email, and birthdate!
  • AppleIn­sider reports on Adobe Apollo. Good news: Adobe claims it won’t merge Flash Player and Adobe Reader, as orig­i­nally threat­ened. Bad news: looks like the cor­po­rate con­cept of Flash as online appli­ca­tion devel­op­ment plat­form pre­vails still. In other words, it’s being posi­tioned fur­ther away from inter­ac­tive design­ers (that is to say, me) and even more towards soft­ware engi­neers and programmers.
  • For­get Bat­man vs. Super­man or Jesus vs. Elvis, here’s the real con­test: Neo vs. Robo­cop, Clint & Yoda.
  • Brian Eno is on the upcom­ing Roxy Music album after all?
  • The head of music at Vir­gin Mega­s­tores is going around telling peo­ple vinyl is out­selling cds on new releases.

X-Men III: The Last Stand

X-Men 3 The Last Stand movie poster

 

God help me, but I agree with Harry Knowles’ review. Some­times you need a fan­boy to point out what’s wrong with a movie crafted for fan­boys. He picked up on the absurdly sen­si­tive Wolver­ine, the impor­tant Phoenix back­story cur­so­rily related in hammy expo­si­tion, and the sud­den and arbi­trary shifts from day to night. But the worst crime of all is that the movie is actu­ally bor­ing; a mere ninety min­utes seem­ingly stretched to what felt like 2-plus hours.

Also both­er­ing me: why on earth was X-Men III: The Last Stand such a mas­sive hit? Not just the ques­tion of gen­eral qual­ity, but also the fact that it’s set in a densely self-referential world com­pre­hen­si­ble only to dorks that read the comics as kids (cough, cough), or at least to movie­go­ers who hap­pen to remem­ber the first two install­ments really well. Per­haps the answer is as sim­ple as it being a hol­i­day week­end with no real com­pe­ti­tion in the­aters, but still, it must have been off-putting and mys­ti­fy­ing to mere mortals.

It’s tempt­ing to blame the whole mess on job­bing direc­tor Brett Rat­ner, but if Bryan Singer had still been involved, would the script have been any different?

Mission: Impossible III

Mission Impossible III movie poster

 

A series of dis­con­nected thoughts:

I rue the day Ter­mi­na­tor 2 (aka “T2”) came out and was a big hit; now every pre-ordained block­buster comes abbre­vi­ated: ID4, LXG, AVP, X3, and now of course M:I:III.

Like most sum­mer action block­busters, M:I:III is at first enjoy­ably pre­pos­ter­ous but quickly becomes exhaust­ing. Although the plot is incred­i­bly com­plex, it has no through­line to thread it all together; it’s a series of sequences.

M:I:III is capped off with a truly ter­ri­ble song by Kanye West. Of course it’s hard to top the ver­sion by U2’s rhythm sec­tion, but the pro­duc­ers could have cov­ered them­selves by pick­ing some­body with a lit­tle more edge.

Like Michael Jack­son, it’s now almost impos­si­ble to watch Tom Cruise per­form with­out his pub­lic per­sona col­or­ing every­thing. On the other hand, he’s noth­ing if not intense, so per­haps that works in his favor here.

The Dork Report for May 25, 2006

The Dork Report for May 24, 2006

The Dork Report for May 23, 2006

The Dork Report for May 19, 2006